Contemporary - my/maSCENA

Lebrecht Weekly – NDR Symphony Orchestra/Krzysztof Urbanski (Alpha)

By Norman Lebrecht on 11 April 2016 Contemporary, Lebrecht Weekly, Orchestral

Most composer reputations subside in the generation after their death. It’s as if posterity calls time out while deciding its final judgement. Witold Lutoslawski is a notable exception to this hiatus rule. Since his death in 1994, performances of his music have become more frequent and his status has risen steadily among both modernists and conservatives. A Pole living under Stalinism, Lutoslawski was adept at facing both ways without sacrificing his creative principles. He wrote works of dangerous aleatory freedom and others of completely conventional form. All bore his unmistakable elegance. The Concerto for Orchestra, premiered in 1954, was acclaimed…

Lebrecht Weekly – Ludmila Berlinskaya: Pasternak And Scriabin (Melodiya)

By Norman Lebrecht on 4 April 2016 Contemporary, Lebrecht Weekly, Piano

You knew that the author of Doctor Zhivago was a composer, right? You didn’t. Well sit back; this might take a while. One of the most iconic portraits of the mystical Russian musician Alexander Scriabin was painted by the distinguished arstist, Leonid Pasternak. The sitter so impressed the artist’s 14 year-old son that Boris Pasternak promptly decided to become a composer and went to study for a while at the Moscow Conservatoire. Six years later he gave up writing music, but Scriabin’s influence proved formative and enduring, especially on his poetry. Boris Pasternak later married the wife of the important…

Benjamin Britten

Britten’s War Requiem

By Kiersten van Vliet on 1 April 2016 Choral, Contemporary, Orchestral

This May, the Orchestre symphonique de Montréal is closing its season with Benjamin Britten’s choral masterpiece War Requiem, conducted by Kent Nagano with soloists Catherine Naglestad, Ian Bostridge, and Thomas Hampson. Commissioned for the 1962 consecration of Coventry Cathedral, which was bombed in the Second World War, the War Requiem has transcended its origins, becoming a staple in memorial ceremonies for major tragedies and war. Given the current instability around the globe, War Requiem is quite timely. In 1939, with increasing tension in Europe, Britten and Sir Peter Pears sailed to North America, where they spent several years. The consequences of this decision were far-reaching.…

Emily d'Angelo au COC

Industry News: April 2016

By Shira Gilbert on 1 April 2016 Arts Industry, Choral, Circus, Contemporary, Opera, Orchestral, Quebec Music

Big Wins Toronto-based mezzo-soprano Emily D’Angelo has been named the winner of the prestigious Metropolitan Opera National Council Auditions. The 21-year-old D’Angelo, one of five winners from a pool of nine finalists, performed two arias with the Met Orchestra under the baton of Antony Walker at the Grand Finals Concert on the Met stage. Previous winners of the Met Auditions include many of the world’s great opera stars, such as Renée Fleming, Susan Graham, Thomas Hampson, and Frederica von Stade. In 2015, D’Angelo won both First Prize and the Audience Choice Award at the Canadian Opera Company Ensemble Studio Competition. Soprano Chelsea…

Amadeus Duo

Spring Festivals 2016

By Rebecca Anne Clark on 1 April 2016 Baroque and Early, Chamber Music, Contemporary, Dance, Multimedia

Montreal Guitar Montréal April 29 – May 1, www.guitaremontreal.com On Friday night at 8 pm, catch the internationally acclaimed Amadeus Duo in concert at Concordia’s DB Clarke Theatre, along with The Montreal Guitar Society and last year’s competition winner, Steve Cowan. Saturday at 8 pm, The Marguerite de Lajemmerais Orchestra performs along with last year’s youth competition winners. Sunday afternoon wraps up the festival with the 2016 Guitar Competition finals. Guitar aficionados can browse the luthiers and vendors at Concordia on Saturday and Sunday, and won’t want to miss a lecture by Dr. Éric Legault on “Guitarist postures and pain”…

Review: R Murray Schafer’s Apocalypsis

By Kiersten van Vliet on 1 April 2016 Canadian Music, CD and Book Reviews, Contemporary

David Fallis, conductor; A Luminato Festival Production Analekta AN 2 8784-5. 1 hr 53 min 24 s. For its 10th Anniversary last June, Toronto’s Luminato Festival staged its most ambitious work to date, R. Murray Schafer’s Apocalypsis. Over 1000 performers from across Canada, both professional and amateur, united to realize this historic music-theatre work, which was performed and recorded in the Sony Centre for the Performing Arts. Due to the massive scale of the work, this is only the second time it was performed (the first was in London, Ontario in 1980), and the first time it had been recorded…

Lebrecht Weekly – FolksLied: Beethoven, Britten, Haydn (BR Klassik)

By Norman Lebrecht on 25 March 2016 Art Song, Classical, Contemporary, Lebrecht Weekly

Viennese masters, always short of cash, picked up commissions from rich British tourists for composing drawing-room settings of national heritage. Haydn and Beethoven filled their boots with Scottish and Welsh ballads for two ducats a song. Haydn wrote about 200, dressed up with piano, violin and cello accompaniments. Easy money. The first surprise in this absorbing recital by Christian Gerhaher is that he sings the Haydn ditties in German, in a 1920s translation. It’s disconcerting at first but gradually deepens with hints of the nearness of these simple sentiments to the core topics of German Lieder: springtime, love and loss.…

Lebrecht Weekly – Debussy, Elgar &c: violin sonatas (Onyx)

By Norman Lebrecht on 21 March 2016 Contemporary, Lebrecht Weekly, Violin

After two years of creative trauma that silenced almost every leading composer, the latter half of the First World War yielded works of extraordinary intimacy. Claude Debussy, responding to a terminal diagnosis of rectal cancer, wrote three intense sonatas for varied instruments and piano. In the last concert of his life, in September 1917, Debussy accompanied Gaston Poulet in the violin sonata, a work of fizzing energy, utterly lacking lament or regret. Gone is Debussy’s distancing feline detachment. The sonata closes on a ‘very animated’ springlike dance, a smiling might-have-been. Debussy died in March 1918, within sound of German gunfire,…

Lebrecht Weekly – British Clarinet Concertos 2 (Chandos)

By Norman Lebrecht on 14 March 2016 Contemporary, Lebrecht Weekly, Orchestral

An unknown work by Benjamin Britten sets the pulse racing. It turns out to be fragments of a concerto he started writing for Benny Goodman in 194. What with Pearl Harbour and Peter Grimes, it got pushed to the back of the desk. Before Britten sailed home to England in March 1942, the only finished movement was seized by US Customs was seized on suspicion that it contained espionage codes. The movement did not see light of day until 1989 when it was retrieved and orchestrated by Colin Matthews, Britten’s composing assistant, and premiered by the clarinet virtuoso Michael Collins.…

Lebrecht Weekly – Mahler: 1st Symphony (BR Klassik)

By Norman Lebrecht on 7 March 2016 Contemporary, Lebrecht Weekly, Orchestral

Yannick Nézet-Séguin’s interpretation of Mahler’s first symphony is beautifully played by Munich’s (some say Germany’s) best orchestra and thoughtfully structured by an impressive guest conductor. I think I am safe in saying that it is conceptually different from any of the 120 Mahler Firsts on record, stretching all the way back to Dmitri Mitropolous’s towering Minnesota performance for Columbia in April 1940. And that’s no small distinction in a much-repeated piece. Where Yannick differs from all others is in atmospherics. The opening four and a half minutes of ambient sound, where the ear searches for a clue to what’s going…

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