This week the TSO musicians played two evening concerts and one relaxed morning performance in their downtown home, Toronto’s Roy Thomson Hall followed by a…
On June 5, Matthias Maute led ArtChoral and Ensemble Caprice in a performance of Bach’s Magnificat at Montreal’s Maison symphonique. Lasting about 30 minutes, Magnificat…
The idea of an abridged Les contes d’Hoffmann troubles many opera lovers, yet Theater Lübeck’s compact two-hour version without intermission proved remarkably effective (seen June…
Few works in the operatic repertory present greater challenges to contemporary stage directors than Der Ring des Nibelungen. Wagner’s tetralogy exists simultaneously as myth, philosophy,…
French mathematician and philosopher Blaise Pascal famously apologized for writing a long letter, explaining that he did not have enough time to write a short…
A new Toronto indie collective unveiled its first production on May 22. Benevolence Opera Project presented an adapted version of Mozart’s Don Giovanni at the…
Review of Constance: A Confession, a new multi-author opera created by the “Writers’ Room” of the Experiments in Opera company; viewed May 18, 2026, with…
Review of VANESSA, by Samuel Barber and Gian Carlo Menotti; presented by Heartbeat Opera at the Baruch College Performing Arts Center, New York City; viewed…
On May 17, Matthias Maute led Ensemble ArtChoral in a concert of a cappella Beatles tunes at Montreal’s Maison symphonique. Maute shared anecdotes about the…