As a long-time Toronto Summer Music audience member going back to its earliest days, I have experienced many memorable moments of unforgettable music. One of…
The Vancouver Folk Music Festival (VFMF)—which celebrates its 50th anniversary next year—occupies a firmly established place in Vancouver’s music scene. The three-day event offers a…
This year’s Indian Summer Festival demonstrates a beautiful truth: inspiration is all around. In the two concerts I attended, artists reinterpreted words from the songs…
Few cities in the world can rival Berlin’s operatic riches. Three major opera houses—Staatsoper Unter den Linden, Deutsche Oper Berlin and Komische Oper—sustain an astonishingly…
Munich’s Staatstheater am Gärtnerplatz occupies a singular position within Germany’s operatic landscape. Unlike its illustrious neighbour, the Bayerische Staatsoper, it neither attempts to compete in…
An early summer visit to Volksoper Wien reaffirmed why it remains one of Europe’s most imaginative lyric theatres. Few companies today show comparable confidence in…
The burden of choice runs through this year’s Festival d’Aix-en-Provence. From the moral trials of Die Zauberflöte to Die Frau ohne Schatten, where happiness can…
Few opera houses today can rival Bayerische Staatsoper for the consistency of its musical standards. Within the span of a single season, one can encounter…
Festival d’Aix-en-Provence could hardly have chosen two more fascinating companion pieces than Mozart’s Die Zauberflöte and Richard Strauss’s Die Frau ohne Schatten. Fairy tales, philosophical…