Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.
Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc
Editor: Wah Keung Chan
Assistant Editor: Andreanne Venne
ISSN: 1206-9973

UofT Opera opened a sparkling new production of Massenet’s Cendrillon on March 15 at Toronto’s historic, neo-Baroque Elgin Theatre, the perfect setting for director Maria Lamont’s 1930s Busby Berkeley-inspired conception. Massenet’s 1899 version of the familiar Cinderella fairy tale, while not without its Belle Epoque froth, is also lined with a deeply moving vein of melancholy that was successfully brought to the fore by a promising band of student artists. The Elgin’s acoustic is notoriously dry, and so it was perhaps fortuitous that conductor Sandra Horst elected to reduce the size of Massenet’s original orchestration, especially given the lack of…

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The Finnish conductor Klaus Mäkelä, just 28 years old, is the hottest property on the circuit though still unrecognised beyond the orchestra fishbowl. Mäkelä is presently music director in Oslo, Paris and Amsterdam. He is also (I hear) about to be named chief conductor in Chicago. How he balances all those jobs is anyone’s guess. Off stage, he has just ended a six-month relationship with the pianist Yuja Wang. The pair have concert bookings together for the next three years. That could be tricky when it comes to eye contact. Forget what they burble on the radio: classical music and…

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Renowned Canadian opera director Michael Cavanagh has passed away suddenly at the age of 62. Cavanagh was one of Canada’s most prolific and sought-after opera directors who in 2020 was appointed Artistic Director of the Royal Swedish Opera in Stockholm. Cavanagh directed over 150 opera productions at 32 companies in Canada, U.S. and Europe. He had a particularly close relationship with San Francisco Opera where most recently, he directed new productions of their Mozart/Da Ponte trilogy: Le nozze di Figaro (2019), Così fan tutte (2021) and Don Giovanni (2022). Previous to his appointment in Stockholm, he directed high profile productions…

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Opéra de Montréal’s production of La Reine-garçon showed how important a strong cast can be to carry a contemporary opera, especially when its story of female empowerment and self-determination resonates with contemporary subject matter. Story Based on true events, the opera is set in 17th-century Sweden where after years of war, reigning monarch Queen Christine has brought peace and art and philosophy to her land. Now, she is expected to marry and produce an heir, but she deflects a multitude of suitors. Her secret is that she is in love with Countess Ebba Sparre, her lady-in-waiting. The story is about…

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