Excellence, beauty and discovery. These are the keywords used by Bourgie Hall to present its new concert season. If there’s one event that brings them all together, it’s the launch of their traversal of the complete catalogue of Schubert’s Lieder. Bourgie Hall’s presentation of the complete cantatas of Johann Sebastian Bach had only scarcely been completed when artistic director Olivier Godin was already thinking of another project on a similarly grand scale. There are no fewer than 600 songs born of Schubert’s genius. “It’s a very rich body of works,” he says, “and yet the public hears perhaps 20 per…
Browsing: Art Song
Douce France: Mélodies & Chansons Benjamin Bernheim, tenor; Carrie-Ann Matheson, piano Deutsche Grammophon, 2024 For his debut album of French mélodies and chansons, French-Swiss tenor Benjamin Bernheim and Canadian pianist Carrie-Ann Matheson have not shied away from some of the most performed, most recorded songs in the repertoire. Berlioz’s Les nuits d’été, three of Duparc’s glorious mélodies and even Chausson’s cycle, Poème de l’amour et de la mer are certainly not lacking in exposure. But as Bernheim notes in the program book, the Berlioz and Chausson sets have historically been the domain of high-voiced female singers, the Duparc often taken…
Rose in Bloom Erin Morley, soprano; Gerald Martin Moore, piano Orchid Classics, 2024 One of today’s most in-demand lyric coloratura sopranos, Erin Morley sings roles like Sophie in Der Rosenkavalier, Cunegonde in Candide and Gilda in Rigoletto at The Metropolitan Opera, Vienna State Opera and Munich’s Bavarian State Opera. Rose in Bloom is her debut recital disc alongside pianist Gerald Martin Moore. It centres on floral themes in songs dating from the early 19th century to the current day. Morley’s consummate mastery of high, florid music ensures there are inevitably several songs representing composers’ penchant to equate piping coloratura with…
Against the Grain Theatre (AtG) is a pillar of the Canadian opera scene. The award-winning company has been pushing boundaries and challenging audiences to experience opera in exciting, new ways since its founding in 2010 by director, librettist, educator, and administrator Joel Ivany, and his partner, soprano Miriam Khalil. Ivany didn’t grow up with opera. He recalls watching La Bohème, starring Pavarotti, on Laser Disk, and later, going to the Canadian Opera Company (COC) for the first time, in Grade 13. Entranced by the “big stage, big sound, big … everything,” he remembers thinking: “How are we going to…
Although Davóne Tines may have “tumbled his way into the opera world” somewhat accidentally, his artistic output has been deliberate ever since. As a young person, he says, he didn’t know where he would end up. Tines completed undergraduate studies in sociology at Harvard University, and worked at a series of arts organizations as an administrator, before considering the prospect of life as a professional musician. Tines grew up singing – in the Black Baptist church, growing up in Virginia; at college, in a Renaissance polyphony ensemble; in the professional choir at the National Shrine in DC; and in a…
Orchestre Symphonique de Montréal (OSM) Led by conductor Rafael Payare, the OSM celebrates the orchestra’s 90th anniversary this season, along with the 10th anniversary of the Grand Orgue Pierre-Béique. The orchestra will start the year with an electric performance of Stravinsky’s The Rite of Spring (Sept. 12-14). Payare and OSM concertmaster Andrew Wan will later take the stage to interpret Beethoven’s Violin Concerto. Webern’s Passacaglia, and Mozart’s “Haffner’’ Symphony (Oct. 25, 26). Come November, Christoph Eschenbach will conduct Alban Berg’s Concerto “To the Memory of an Angel” and Beethoven’s Symphony No.7 (Nov. 8, 9). The orchestra will get in the…
Earlier this week, Toronto Summer Music announced that Canadian Soprano Sondra Radvanovsky had been forced to cancel her performance as part of this year’s festival due to unforeseen illness. Miraculously, the festival was able to secure a replacement of the highest caliber on just short of a week’s notice: Grammy Award winning American Mezzo Soprano, J’Nai Bridges. Bridges stepped in with grace and poise, dutifully acknowledging Ms. Radvanovsky’s absence at the concert’s outset. Joined by pianist Rachael Kerr, she opened the first half of her recital with a musical setting of the Lord’s Prayer (uncredited on the program). This was…
Nuages Duo Cavatine: Noémie Raymond-Friset, cello; Michel-Alexandre Broekaert, piano KNS Classical, 2023 Like a rolling cloud, the 2019 recording for Nuages drifted for years along the ever-changing winds of the pandemic. Now, its thunderous sound is here to shock listeners. The album’s 2023 release makes it Duo Cavatine’s second published album, after 2022’s CellOpéra. But the choice of compositions still reflects its earlier recording date—it feels like the musicians are establishing themselves as a duo for the first time. Francis Poulenc’s Sonata for Cello and Piano, Fp. 143 features a call-and-response motif and a tense, fragmented tune that both urges…
Brussels, Belgium (May 25, 2023) – The final of the 2023 Voice Competition will be held at the Brussels Centre for Fine Arts on Thursday 1 to Saturday 3 June, 8.15pm. Presenting the twelve finalists : Fleuranne Brockway, mezzo-soprano Daniel Gwon, baritono Floriane Hasler, mezzo-soprano Inho Jeong, basso Taehan Kim, baritono Juliette Mey, mezzo-soprano Julia Muzychenko-Greenhalgh, soprano Anna-Sophie Neher, soprano Carole-Anne Roussel, soprano Sílvia Sequeira, soprano Maria Warenberg, mezzo-soprano Jasmin White, contralto Via this link you can read more about the finalists and download their photos on their personal pages. The biographies of the finalists will be available on the press…
Durme, Durme: Four Ladino Folk Songs Maureen Batt, soprano; Tara Scott, piano Leaf Music, 2023 With only four short compositions inspired by prayers, poems, and lullabies, composer Elisha Denburg doesn’t have much room to establish the themes of the Judeo-Spanish folk songs. Luckily, he uses time to its fullest, enlisting soprano Maureen Batt and pianist Tara Scott to convey a wide range of raw emotions by reducing vocals and piano to their bare essentials. Batt demonstrates extreme flexibility through her limited performances, switching from solemn to jolly to confident without a second thought. She accommodates this wide range of feelings…