Lebrecht Weekly – British Clarinet Concertos 2 (Chandos)



British Clarinet Concertos 2An unknown work by Benjamin Britten sets the pulse racing. It turns out to be fragments of a concerto he started writing for Benny Goodman in 194. What with Pearl Harbour and Peter Grimes, it got pushed to the back of the desk. Before Britten sailed home to England in March 1942, the only finished movement was seized by US Customs was seized on suspicion that it contained espionage codes.

The movement did not see light of day until 1989 when it was retrieved and orchestrated by Colin Matthews, Britten’s composing assistant, and premiered by the clarinet virtuoso Michael Collins. The movement went down so well that Matthews filled out the work with Britten sketches for a full premiere by Collins in 2008. It would be too much to expect the disparate parts of the piece to make a convincing whole but Collins’ eloquence and advocacy are forceful and the ear warms to his unflappable English tone. Impossible to imagine what Benny Goodman might have made of it.

The Britten ‘concerto’ on this album is followed by five Bagatelles by Gerlad Finzi, representing all that Britten loathed in English music – nostalgic, antediluvian pastorality, unwilling to admit a sniff of dissonance. Detractors called it ‘cowpat music’; it has not worn well.

The rest of the album, proficiently performed by the BBC Symphony, is filled with a pair of authentic concertos by minor composers – the Yorkshireman Arnold Cooke (1906-2005) and the Welshman William Mathias (1934-92). Cooke sounds like a cheerful chappie who would have been in his element scoring comedy series for the BBC. Mathias, more morose and attuned to modernity, reminds me of a country bus shelter in the rain, a timeless passage of time, not at all unpleasant. Both he and Cooke are strong on atmosphere, an element rare nowadays. Switch off the sound on your television and play this to accompany Downton Abbey.

—Norman Lebrecht
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About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

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