CD and Book Reviews - my/maSCENA

Review – György Kurtág: Complete String Quartets (ATMA)

By Kiersten van Vliet on 1 October 2016 CD and Book Reviews, Contemporary, Strings

György Kurtág: Complete String Quartets Quatuor Molinari: Olga Ranzenhofer, violin; Frédéric Bednarz, violin; Frédéric Lambert, viola; Pierre-Alain Bouvrette, cello ATMA 2016. ACD2 2705. 60 min 38 s. Quatuor Molinari has become Canada’s champion for 20th and 21st-century composition, including recordings of Canadian R. Murray Schafer’s String Quartets, and, more recently, the premiere of his Alzheimer’s Masterpiece (String Quartet No. 13), a moving tribute to the ailing composer. Following the fine recording of quartets by fellow Canadian Petros Shoujounian (Noravank, April 2016) to commemorate the 100th anniversary of the Armenian genocide, with this release Quatuor Molinari has once again proven its…

Review – Overtures to Bach: Matt Haimovitz (Pentatone Oxingale)

By Kiersten van Vliet on 1 September 2016 Baroque and Early, CD and Book Reviews, Contemporary, Strings

Recently named Pentatone’s Artist of the Season, Matt Haimovitz has never shied from making waves in performance or recording. The Montreal-based cellist has already proven his Bach chops over and over throughout his career, most recently with the 2015 Pentatone release of the Suites based on a copy by Bach’s second wife Anna Magdalena played on period instruments. This new disc explores six new commissions by Haimovitz, each an Overture to the Prelude from each Suite. The structure of Overture followed by Prelude makes the Bach a comment on the future, a kind of sonic time machine. Opening with Phillip…

Review – Alfred Schnittke: Works for Violin and Piano (Quartz)

By Kiersten van Vliet on 1 September 2016 CD and Book Reviews, Chamber Music, Contemporary, Violin

Alfred Schnittke is a name we often shy away from on this side of the Atlantic. His style of unabashed dissonance is not solely reliant on serialism, but rather an understanding of the latent dramatic potential of atonality, an understanding that is made possible by his awareness and appreciation of the music that preceded him. Instead of breaking with the past, Schnittke aimed to show the connections between past and present in his so-called “polystylism”; this is no more evident than in his chamber output for the violin. The two-CD set opens with the late Third Sonata (1994), darkly opulent…

Shakespeare Reimagined

By Rebecca Anne Clark on 1 September 2016 CD and Book Reviews, Literature

Founded in 1917 and re-launched in 2012, Hogarth Press is celebrating the 400th anniversary of the Bard’s death with a literary series, Hogarth Shakespeare. Inaugurated in October 2015 with Jeanette Winterson’s The Gap of Time, Hogarth Shakespeare mines some today’s bestselling authors for new interpretations of Shakespeare’s timeless stories. Why would an author want to take on a task as daunting as rewriting the work of The Bard? Gillian Flynn sums up a sentiment expressed by many of the authors: “As beautiful and as interesting and as complicated as [his works are], I still think there’s more.” The collection contains…

Review – Franz Schubert: String Quintet – Lieder (Erato)

By Kiersten van Vliet on 1 September 2016 Art Song, CD and Book Reviews, Chamber Music, Romantic

His final work for strings, Schubert’s Quintet in C Major (1828) is unusual for its doubling of the cello voice rather than the viola, Mozart’s quintet model. With unmatched lyricism and finesse, Quatuor Ebène tackles this behemoth of Romantic chamber repertoire, which was only completed two months before the composer’s untimely death. Gautier Capuçon makes a fine fifth wheel, adding a dark intensity without disrupting the balance of the upper strings. This is perhaps the most evident in the exquisite second movement, Adagio, a nocturne that is so unusually slow for Schubert, and given a keenly sensitive treatment by Quatuor…

Review – Amazing Water: An Introduction to Classical Music (The Secret Mountain)

By Kiersten van Vliet on 1 September 2016 CD and Book Reviews, Classical Music, Education, Literature, Visual Arts

An ode to water, the source of all life, Amazing Water: An Introduction to Classical Music is an excellent educational tool for ages 8 to 88. As author Ana Gerhard aptly states in the introduction, “Music – the art of sound changing through time – seems to have special water-like qualities.” Beginning with the opening theme of Smetana’s “The Moldau” from Má vlast, the book courses through music history, featuring beloved cultural touchstones like Schubert’s “Trout” Quintet and Handel’s “Alla Hornpipe” from Water Music, lesser-known works such as Britten’s “On Sunday Morning” from Four Sea Interludes, and even more esoteric…

CD Review – Michael Finnissy: Gershwin arrangements for piano (White)

By Kiersten van Vliet on 11 July 2016 CD and Book Reviews, Contemporary, Mainstream Jazz, Piano, Popular Music, Scena Jazz

George Gershwin’s songs are so ubiquitous that it is hard to imagine an experience of his work untouched by adaptations, whether in film or in the concert hall. This set of 13 tunes was transcribed by English composer Michael Finnissy over the same number of years, between 1975 and 1988. Finnissy is perhaps best known for his transcriptions, from his English Country Tunes (1982–85) to his completion of Mozart’s Requiem (2013). Finnissy, who celebrated his 70th birthday earlier this year, hailed Dirk Herten’s performance as “thoughtful, sensitive, [and] delicately-shaded,” while praising his refined touch. He continued, “I feel like a…

CD Review – The Claudia Quintet: Super Petite (Cuneiform Records)

By Weiyu Dang on 7 July 2016 CD and Book Reviews, Experimental Jazz, Scena Jazz

Named after a term used to describe a friend of the band, Super Petite from Cuneiform Records’ Claudia Quintet fuses dense, eclectic, and complex ideas into a ten-track CD with the length of a built-for-radio pop album. With compact organization, drummer-composer John Hollenbeck undertakes the challenge of building a worthy offering that can simultaneously attract shorter millennial attention spans and present a work of grand scale. Competing ideas of clutter and cohesion come to the fore with the opener “Nightbreak,” the title itself a portmanteau of the seminal Charlie Parker break on “A Night in Tunisia.” Immediately, the listener comes…

CD Review – Ives: Sonatas for Violin and Piano Nos. 1–4 (White)

By Kiersten van Vliet on 4 July 2016 CD and Book Reviews, Contemporary, Violin

Interest in American modernist Charles Ives, as these things often happen, spiked after his death. Even as the post factum father of American modernism for his use of experimental techniques as well as his quotation of American melodies from Protestant hymns to Stephen Foster, it is still difficult to find Ives on disc and in the concert halls. In fact, the only other full recording of his four violin sonatas (1906–1913) that springs to mind is Hilary Hahn’s 2012 release. The first sonata is easily the least accessible of the bunch, beginning with a cyclical creeping melody that refuses to…

CD Review: Stokowski Transcriptions

By Jeanne Hourez on 1 June 2016 CD and Book Reviews, Classical Music, Orchestral

Stokowski Transcriptions Bach, Tchaikovsky, Wagner, Mussorgsky, Stokowski, Purcell, Boccherini Bournemouth Symphony Orchestra, José Serebrier Naxos 2016. 8.578305. 1 hr 1 min 28 s. Stokowski’s arrangements need no introduction, such is their fame in the musical world. This renowned conductor orchestrated a number of canonical works, the most notable being the Toccata and Fugue in G minor by J.S. Bach, familiar to many of us from Disney’s Fantasia. Someone close to Stokowski was required to match the high calibre of his work. Not only is José Serebrier one of the most recorded conductors in the world, but he was an associate of…

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