Lebrecht Weekly: Good Night! (Erato)

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Musical lullabies can quickly outlast their welcome. Everybody’s had the Brahms Wiegenlied sung to them at some point in infancy and many have experienced the sleepy time duet in Hansel and Gretel, the one they sing just before the witch becomes their nightmare. But one hearing is usually all I can bear of these bonbons.

The beauty of this compilation by the French pianist Bertrand Chamayou is that it leads the ear down unexpected paths – some overgrown like Janacek’s crystalline opener, others unexpected, neglected or altogether unknown. Two etudes by Sergei Liapunov are drops of perfect chamomile. A dollop of Villa-Lobos takes us into a Brazilian jungle much thicker and more Freudian than Janacek’s urban alleyway.

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There’s a Berceuse by the German modernist Helmut Lachenmann that is so full of plinks and plonks it would put you to sleep in a concert, let alone your own bed. And the closing prelude by Charles-Valentin Alkan titled ‘I was asleep but my heart was awake’ is so compelling I can’t understand why it’s hardly used as an encore.

It takes guts for a French pianist to produce a lullaby compilation without obligatory blobs of Debussy. It also shows a degree of taste and independence unusual in a young soloist still at the start of his journey. Chamayou is one to watch out for in the New Year, once the recital circuit reopens.


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This page is also available in / Cette page est également disponible en: Francais (French)


About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

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