From a historical perspective, Jules Massenet’s art songs have been given short shrift compared with his larger-scale operatic undertakings like Manon, Werther and Cendrillon. Baritone Pierre Bernac (1899-1979), in a work dealing with the interpretation of French art songs, is unequivocal in his assessment of Massenet; he viewed him as being a gifted melodist who wrote tunes wrapped in sugar-coated sentimentalism. If only a few pieces survive now as tokens of that repertoire, it may be due in part to the composer’s reluctance to deal with the subject. Jacques Hétu, in his liner notes to the recently issued box set…