Santander, 2 August 2022 – The Jury of the 20th Santander International Piano Competition, having met after the fourth of Semi-final recital sessions of the Competition, held from 29 July to 1 August at the Palacio de Festivales de Cantabria’s Sala Pereda, has unveiled the names of the 6 participants that will pass on to the final stage of the competition. The names and biographies of the finalists are the following: 1 Yu Nitahara Japan 31 years old 2 Marcel Tadokoro France/Japan 28 years old 3 Matyáš Novák Czech Republic 23 years old 4 Xiaolu Zang China 22 years old…
Browsing: Piano
Elle Angèle Dubeau, solo violin; Valérie Milot and Antoine Mallette-Chénier, harp; Lydia Etok and Nina Segalowitz, throat singing; La Pietà Analekta, 2022 Angèle Dubeau, solo violinist and conductor for the string ensemble La Pietà, has decided to use the ensemble’s 25th anniversary album, Elle, to showcase a variety of contemporary female composers. The result? A thrilling experience where the listeners never gets too comfortable with one style. Just as they come to understand the cool and brooding nature of Rebecca Dale’s Winter, for example, they’re surprised by the fiery Inuit throat singing of Katia Makdissi-Warren’s Mémoire. The album is filled with…
À ses derniers pas, entrant dans la boue Aleks Schürmer, piano; Grégoire Blanc, theremin Centrediscs, 2022 There’s something to the theremin, a no-contact electromagnetic instrument invented in the early 20th century, that makes it impossible not to smile upon hearing one, and composer Aleks Schürmer is acutely aware of this in his album À ses derniers pas, entrant dans la boue. By contrasting the goofiness of the theremin against a grim piano performance, Schürmer squares 20th-century peoples’ visions of a utopic technological future against our dystopic 21st-century reality. In Ils se sont trouvés sur Tinder, Blanc reaches into the depths…
Chasing Light & Sound: The Tuba Music of Elizabeth Raum Tom McCaslin, tuba; Akiko Tominaga, piano Centrediscs, 2022 Originally commissioned by tuba maestro John Griffiths in the 1990s, the works composed by Elizabeth Raum and featured on the album Chasing Light & Sound have become staples of the solo tuba repertoire. Since Tom McCaslin was a student of John Griffiths, he is aiming quite high by recording this album. When paired with Akiko Tominaga’s strong piano-playing style, McCaslin’s gentle tuba-playing style tends to get overpowered. He opts to give Tominaga room to express herself, so the busy piano melodies make…
Beethoven: Violin Sonatas Nos. 4, 9 & 10 Andrew Wan, violin; Charles Richard-Hamelin, piano Analekta, 2021 What more can be said about Beethoven’s music that hasn’t already been heard a thousand times? According to violinist Andrew Wan and pianist Charles Richard-Hamelin, quite a lot. This album is the third and final entry in the pair’s series of Beethoven violin sonatas, which began in 2018. Much like its predecessors, this album demonstrates the pair’s distinguishable technical prowess regarding the interweaving of string and piano melodies. The Allegro molto movement of Sonata No. 4 is by far the best example of this,…
Schubert: The Complete Sonatas and Major Works for Piano Mathieu Gaudet, piano Analekta, 2022 The three-part Sonata in A major, D.664 is perhaps one of Schubert’s most played works, and Mathieu Gaudet does a fantastic job of showing why in his newest album. The pianist allows the works to thoroughly explore their respective emotions: the first movement’s erratic melodic jumps and quick tempo establish a sense of urgency, the second movement offers a period of respite with a slower and more contemplative passage, and the third movement bursts into a joyous celebration of all that is good. But Gaudet is…
William Bolcom: The Complete Rags Marc-André Hamelin, piano Hyperion, 2022 We are used to the virtuoso pianist Marc-André Hamelin unearthing rare treasures from the 19th and 20th centuries and playing them with his customary brilliance. This time, however, he eschews Leopold Godowsky, Nikolai Medtner and Samuil Feinberg for the U.S. composer William Bolcom, born in 1938. Out on the British independent label Hyperion, Hamelin’s new album has him playing a repertoire he’s never tackled before: the ragtime music usually associated with the African-American Scott Joplin. Although now famous for The Entertainer, Joplin wasn’t always very well-known and, until 1967, the…
Calgary, AB (June 28, 2022) — The Honens International Piano Competition is pleased to announce Jan and Larry Fichtner as its 2022 Honens Honours recipients. Honens Honours pays tribute to individuals and organisations whose dedication to the arts, like Esther Honens, has made an extraordinary contribution to arts and culture in Calgary. “Jan and Larry Fichtner are the true embodiment of the very purpose behind Honens Honours. Their generosity of time, resource, and spirit are both outstanding and inspiring on local, provincial, and national levels. We are absolutely delighted to be able to honour them in this way,” says Neil…
While writing a book about Beethoven (to be published next year), I recoiled from many of the pupils, acolytes, secretaries, amanuenses, self-seeking musicians and all sorts of hangers-on who lived off their connection with the great man and published reminiscences of him, many of them invented. A singular exception was Ferdinand Ries, a young man from Beethoven’s home town who grew up in the Bonn court orchestra and shared some of the same teachers. Ries, so far as I can tell, never made up stories about Beethoven or made him out to be anything other than he was – a…
As I write this final report on the Sixteenth Van Cliburn International Piano Competition, celebrations are underway in Sundance Square, the heart of this great Texas city. Thousands are gathering to share the excitement at the outcome of one of the cities’ most important international events. And the winner? It came as no surprise to me that Yunchan Lim, the 18-year-old young man from South Korea was given the highest award. I think most people in the audience on Friday night who heard him play Rachmaninov’s Piano Concerto No. 3 knew that they were hearing something special. This was artistry…