Contemporary - my/maSCENA

Babes on the March – A Visit to Victor Herbert’s Toyland, with MasterVoices

By Charles Geyer on 29 April 2017 Concert Reviews, Contemporary, Musical Theatre, Opera

A REVERIE: on Victor Herbert’s wonderful and terrifying children’s operatic dreamscape, Babes in Toyland, as presented and performed by MasterVoices (formerly the Collegiate Chorale), the Orchestra of Saint Luke’s, and a large cast of principals at Carnegie Hall on April 27; with one additional performance scheduled at the Tilles Center of LIU Post in Brookville, New York on April 29, 2017 at 7 p.m. Dear Diary: On Thursday night, I visited Toyland! Or at least I woke up believing I did. It seemed so real, I’m going to talk to you about it like it really happened. But I guess…

Lebrecht Weekly – Alexander Lokshin: Clarinet quintet & c. (Melodiya)

By Norman Lebrecht on 28 April 2017 CD and Book Reviews, Contemporary, Lebrecht Weekly

In the dying years of the Soviet Union I became aware of dozens of symphonists who survived on the fringes of musical society, tolerated by the authorities but never given a proper hearing. Once I got past the immense, historic figures of Mieczyslaw Weinberg and Galina Ustvolskaya, both pivotal in the life of Dmitri Shostakovich, I kept discovering other samizdat composers who, for some reason, seemed to speak my language. At a time when western musicians were subjected to a dictatorship of style and serial ideology if they wanted to get on the BBC, these covert Russians were free to…

The Babes Are Back! MasterVoices Polishes Up Victor Herbert’s Babes in Toyland for a Glorious Return

By Charles Geyer on 26 April 2017 Contemporary, Interviews, Musical Theatre, Opera

PREVIEW: of the new MasterVoices concert presentation of Babes in Toyland by Victor Herbert (Carnegie Hall, New York City, April 27, 2017 at 7 p.m.); and INTERVIEW: with MasterVoices’ musical director Ted Sperling. Long before Sondheim walked on the dark side with Into the Woods, or Disney began issuing its franchise line of tailored fairy-tale musicals, composer Victor Herbert and his Broadway posse had raided the nursery cradle, character-snatching a mother lode of Mother-Goose autochthons to populate the monumental 1903 operetta, Babes in Toyland. They’re all there – Mary Quite Contrary, Tom Tom the Piper’s Son, Little Bopeep, Jack, Jill,…

Lebrecht Weekly – Karol Szymanowski; Stabat Mater, 3rd Symphony (Warner)

By Norman Lebrecht on 13 April 2017 CD and Book Reviews, Choral, Contemporary, Lebrecht Weekly, Orchestral

Never a big Easter bunny, I generally receive the springtime festival releases with the same excitement as I’d feel about a Placido Domingo Christmas record. What comes round, comes round. This one, however, is pure class. The international Polish soprano Aleksandra Kurzak opens with a Litany to the Virgin Mary that is slow, devout, soulful and twenty shades lighter than one might expect from a Polish Catholic ritual. Kurzak has never sounded sweeter or more comfortable on record. The little-known Litany is followed by the more familiar Stabat Mater and capped with Szymanowski’s third symphony, the ‘Song of the Night’…

Review: Curated by Meredith Monk – Phil Kline’s NOT OK, with Jim Jarmusch

By Xenia Hanusiak on 10 April 2017 Concert Reviews, Contemporary, Film

When: Wednesday April 5, 2017 at 8pm Where: Roulette The name of New York composer Phil Kline is synonymous with the global cult Unsilent Night – the annual one night in December public artwork, which invites members of the public to collaborate in a street performance combining boomboxes and shared soundtracks. The sum of the parts of Kline is one part rock musician, (having co-founded the band Del-Byzanteens with filmmaker and composer/musician Jim Jarmusch), one part performance artist, and one part classical music composer. Kline is an artist who crosses multiple boundaries bringing his diverse immersions in literature, theater, and…

Samy Moussa, Photo: Manu Theobald

Samy Moussa Celebrates Montreal in Music: La Symphonie Montréalaise for the 375th with the OSM

By An-Laurence Higgins on 1 April 2017 150/375, Contemporary, Interviews, Quebec Music

Samy Moussa, a young Montreal composer, will see his work premiered on the occasion of the 375th anniversary of the city of Montreal by the Orchestre symphonique de Montréal. At 32 years old, Moussa has just won the 2017 Hindemith Prize, given to a contemporary composer and accompanied by an award of 20,000 euros. This is not the composer’s first collaboration with the OSM, since the soberly-titled Symphonie is his fifth orchestral commission. It is, however, his longest and most ambitious work. In a brief interview, Moussa spoke to us about the circumstances of the creation of the work and…

Another Brick in the Wall, Photo: Yves Renaud

‘Another Brick in the Wall’ a Thoroughly Montréalais Work

By Claire McLeish on 23 March 2017 Concert Reviews, Contemporary, Opera, Quebec Music

Review: Another Brick in the Wall, l’Opéra de Montréal Viewed: March 13, 2017 At first glance, an adaptation of Pink Floyd’s 1979 concept album The Wall seems an odd choice for part of Montreal’s 375th Anniversary. However, a brief reflection on the genesis of the album brings this choice into better focus. According to rock legend, the story for The Wall came to Pink Floyd bassist and songwriter Roger Waters after a performance in Montreal: after allegedly spitting on a fan at show at the Olympic Stadium in July 1977, Waters turned inward and began to reflect on the excesses…

Mark Adamo's Little Women

Singing Our National Stories – The AMERICAN LYRIC THEATER… Part I – Beyond Words and Music, with Mark Adamo

By Charles Geyer on 21 March 2017 Contemporary, Interviews, Opera

Mark Adamo, in conversation with Charles Geyer It started as an idea over drinks. It became a quest to “achieve everything.” In 2002, Larry Edelson, then an assistant opera director completing his graduate degree at NYU, and Mark Adamo, the celebrated American composer-librettist of Little Women (one of the most oft-produced and critically lauded new operas of recent decades), were discussing – take a guess – American opera. Not how great it was, or how imperiled it was; not its funding nor its popularity – but something much more fundamental, and mysterious: Where it came from. The opera field was…

Lebrecht Weekly – Hanns Eisler: Hangmen Also Die! (Capriccio)

By Norman Lebrecht on 13 March 2017 CD and Book Reviews, Contemporary, Lebrecht Weekly, Orchestral

In the Hollywood walk of composing fame, Hanns Eisler is the forgotten man. Erich Korngold was the founding father, Waxman and Newman the busy bees, Rosza and Herrmann the atmosphere merchants. Eisler, who wrote the first book on composing for film and treated the craft as an art in its own right, is all but pushed off the sidewalk. A Hitler refugee, Eisler landed in New York in 1938, taught for three years at the New School, then moved to Los Angeles to work with Bertolt Brecht. In 1948, he was forced to leave the US during Senator McCarthy’s witch-hunt,…

Michael Kelly as Edward Kynaston and Maeve Höglund as Margaret Hughes, Photo: Tina Buckman

A King in New York: Opera Royalty Carlisle Floyd Brings His ‘Prince of Players’ to the Big Apple

By Charles Geyer on 9 March 2017 Contemporary, Interviews, Opera

OPERA REVIEW: Carlisle Floyd’s Prince of Players, presented by the little OPERA theatre of NY; and INTERVIEW: with the work’s creator, acclaimed American composer Carlisle Floyd. “You will be hearing more about Carlisle Floyd,” said Howard Taubman in 1956, writing in The New York Times of “a young composer who teaches at Florida State University,” whom Taubman deemed “meant for the lyric theatre.” And barely three years later, composer, critic, and educator Eric Salzman (also in the Times) already discerned in Floyd a voice that had “prepared the way for the burst of American works that followed.” The young man…

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