CHABRIER: España. Lalo: Symphonie Espagnole. BIZET-SHCHEDRIN: Carmen Suite. Philippe Quint, violin. Austin Symphony Orchestra/Peter Bay. Long Center. Austin, Texas. February 24, 2017 Canadian readers with…
The Ladies’ Morning Musical Club advertises a venerable history with its very name. On Feb. 5 in Pollack Hall the organization paid tribute to its…
As a celebration of the 60 years of Opera McGill, the Schulich School of Music late last month presented a run of Johann Strauss’s Die…
All the rage elsewhere in North America, cinema in concert is more complicated in the Maison symphonique, given the paucity of Hollywood blockbusters in French.…
ROUSE: Symphony No. 5 (world premiere). BEETHOVEN: Piano Concerto No. 2 in B flat major Op. 19. RESPIGHI: Pini di Roma (Pines of Rome). Emanuel…
PERFORMANCE REVIEW AND TEXT ANALYSIS: MasterVoices’ new English-language version of J.S. Bach’s St. John Passion, translated by Michael Slattery (at Carnegie Hall, February 9, 2017,…
REVIEW: Opera Philadelphia’s new production of Rossini’s early masterpiece, Tancredi; INTERVIEWS: with the production’s stars – mezzo-soprano Stephanie Blythe, soprano Brenda Rae. “What a wonderful…
The Montreal Chamber Music Festival always manages to satisfy even the most demanding mélomane of the city. Long-time friends of artistic director Denis Brott, the Emerson…
Communiqué Pour diffusion immédiate (Montréal, le 5 février 2017) – La 20e édition du Gala des prix Opus s’est déroulée à la salle Bourgie du…
DONIZETTI: The Daughter of the Regiment. Rachele Gilmore (Marie). René Barbera (Tonio). Cindy Sadler (Marquise de Berkenfield). Stefano de Peppo (Sulpice). Austin Opera Chorus and…
