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Browsing: Orchestral

Music In The City: Toronto Summer Music Festival

By Newswire on 12 July 2010 Newswire, Orchestral

Conductor Agnes Grossmann (Photo courtesy of TSMF)Summer has traditionally been a quiet time musically in Toronto, with the opera, symphony and ballet all in hiatus. The little bit that were available – like the Toronto Symphony Orchestra at Ontario Place and the Canadian Opera Company’s Altamira Harbourfront Concerts, have long been consigned to history. Music-starved Torontonians, myself included, have had to venture out of town for our musical fix, to places like Elora, Parry Sound, Campbellford, Sharon, Niagara for example. While many of us continue to do that, those who would rather stay in town can still experience great music…

Round Top, Texas: The Impossible Dream?

By Paul E. Robinson on 5 July 2010 Concert Reviews, Orchestral

by Paul E. RobinsonSummer FestivalsRound Top Festival Institute, 2010Never underestimate the dreams of a concert pianist – especially those of an adopted son of Texas! Van Cliburn, you say? Yes, he had an impossible dream and realized it when he won the Tchaikovsky International Piano Competition in Moscow in 1958, but there is another, lesser-known, Texas pianist who dreamed big and succeeded; James Dick, who was born in Hutchinson, Kansas, attended the University of Texas, and has lived in Texas ever since, built his own concert hall and music festival, in one of the least likely places – Round Top,…

Mahler Resurrection a Dallas Symphony Specialty!

By Paul E. Robinson on 6 June 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonI try to get to Dallas as often as I can to bask in the glory of the Morton H. Meyerson Symphony Center, one of the world’s great concert halls. After listening to concerts in other venues, it is always a shock to experience the Meyerson. To hear every instrument in the orchestra as it was meant to be heard, and to hear the perfectly blended sound of a fine orchestra, with a presence that is palpable, is satisfaction beyond words. Simply put, as the saying goes: “You had to be there!”Of course, the Meyerson is simply…

Austin Symphony Shines Again in Mahler

By Paul E. Robinson on 31 May 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonThe 100th anniversary of Mahler’s death is in 2011, but conductors and orchestras are already programming his music at every opportunity – Symphony No. 2 with Jaap van Zweden in Dallas at the end of May, for example; and more recently, Symphony No. 1 with Peter Bay leading the Austin Symphony.Mahler’s Long Lost Blumine Blossoms on its OwnMaestro Bay opened the evening’s programme with Blumine, which began its life as part of the Symphony No. 1 until Mahler decided it didn’t belong there after all.At the first three performances of the Symphony No. 1 in the 19th…

Van Zweden and DSO Raise their Game with Schönberg and Brahms

By Paul E. Robinson on 23 April 2010 Concert Reviews, Orchestral

by Paul E. RobinsonAs he nears the end of his second season as music director of the Dallas Symphony, Jaap van Zweden has clearly raised the quality of playing in the orchestra. There have not been many personnel changes, but there has been a palpable exploitation of the enormous pool of talent already in the orchestra. A case in point: the trombone section has always been ‘good’ but now it is ‘remarkably good.’ The sureness of intonation, the beauty of tone, the balance between the three instruments and tuba – all these things are on a level of refinement only…

Claudio Abbado’s Grand Tour with his Mozart Orchestra

By La Scena Musicale Team on 8 April 2010 Classical, Concert Reviews, Orchestral

by Giuseppe PennisiMusic is the best medicine to cure cancer according to Maestro Claudio Abbado. Doctors removed much of his stomach and he can only eat small amounts at a time.“I found a new life, without a stomach,” he states. “I think differently. My senses are different.” His music-making has also changed: “I hear more lines now; I hear sounds I never heard before.”Unfortunately, the therapy has weakened him: it’s now a special occasion when Maestro Abbado conducts. At 77, Abbado has mostly turned away from the kind of grand institutions he once led — La Scala, the Vienna State…

Cette semaine à Montréal (7 à 17 avril) / This Week in Montreal (April 7 – 17)

By La Scena Musicale Team on 6 April 2010 Chamber Music, Choral, Dance, Orchestral, Scena Jazz, Theatre, This Week in Montreal, Visual Arts

Musique / Music Canadian trumpet virtuoso Guy Few (pictured to the left) joins the Orchestre symphonique de Montréal on April 7 to perform a concerto for trumpet and orchestra by the renowned and recently deceased Jacques Hétu. Under the baton of assistant conductor Nathan Brock, the orchestra performs works that include Mendelssohn’s Symphony No. 1 and Smetana’s The Moldau. 514-842-2112, www.osm.ca — Hannah Rahimi The Trio Fibonacci presents its final concert of the season on April 9 at the Chapelle Saint-Louis. Audiences can experience the wide range of compositions for string trio with a varied programme that begins with Haydn and concludes…

Strauss’s Don Quixote Brought to Life by Bay and Austin Symphony

By Paul E. Robinson on 24 March 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonWhat a revolutionary idea it was to provide surtitles (“translated or transcribed lyrics/dialogue projected above a stage or displayed on a screen”) in the opera house! All of a sudden, people actually understood what was going on. An art form that had been forbidding and impenetrable for millions was transformed into something welcoming and meaningful. Shame on the Karajans and Levines who, for whatever reason, delayed that monumental breakthrough in communication.I believe the concert hall could use the same communication overhaul afforded the opera house. To my mind, vocal works should always have surtitles; most often, they…

Rach 3 Rocks with Nissman and the Austin Symphony!

By Paul E. Robinson on 11 March 2010 Concert Reviews, Contemporary, Orchestral, Piano

by Paul E. RobinsonLast week, at the Long Center for the Performing Arts, Peter Bay and the Austin Symphony presented an all-Russian program: Rachmaninov’s Vocalise, followed by the Rachmaninov Piano Concerto No. 3, and closing with the Shostakovich Symphony No. 5, the Russian composer’s most popular symphony.As always, Maestro Bay had prepared well and interpreted the music with assurance and without exaggeration of any kind. In the opening piece, Vocalise, Bay went for a nuanced, understated beauty that suited this slight work very well. Personally, I would like to hear more expansive phrasing in some sections, but then I may…

Two Different Productions of Elektra Enthuse Italian Provincial Opera Houses

By La Scena Musicale Team on 8 March 2010 Concert Reviews, Opera, Orchestral

by Giuseppe PennisiGenerally, Strauss-Hofmannsthal’s “tragedy for music” Elektra is normally performed in comparatively small opera houses in Germany and in a few Central European countries. Most administrators and musical directors are scared by the thought of assembling a 115-piece orchestra, five Wagnerian singers, a large number of soloists in smaller roles and keeping the audience enthralled in their seats for nearly two hours of extreme tension and emotion.Well, this season two different productions of Elektra can be seen in Italian Provincial theatres. They are quite successful and surprisingly attract also a new and younger audience, and they are likely to be revived next season.Italy…

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