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Browsing: Contemporary

Opera Philadelphia Launches Free Breaking the Waves Audio Stream on March 2

By Newswire on 8 March 2017 Arts Industry, Contemporary, Newswire, Opera, Orchestral, Strings

Wednesday, March 8, 2017: When Opera Philadelphia’s new adaptation of Lars von Trier’s searing Oscar-nominated film,Breaking the Waves made its world premiere in September 2016, the New York Times declared the opera “ambitious, accomplished, [and] dramatically direct,” and Opera Newssaid it “stands among the best 21st-century American operas yet produced.” It has since earned an International Opera Award nomination for Best World Premiere and made its New York debut with Beth Morrison Projects’ Prototype Festival to continued acclaim.Now, starting on Wednesday, March 29, 2017 at 1 p.m., home audiences the world over can listen to this spellbinding production in its…

Monday Headlines: Review of the Boston Symphony Orchestra at the Maison Symphonique

By Olivier Gentil on 6 March 2017 Arts Industry, Baroque and Early, Canadian Music, Classical, Classical Music, Contemporary, Daily News Roundup, Opera, Quebec Music, Strings, Video of the day, Violin, Visual Arts

On Saturday, the reputable Boston Symphony Orchestra played at the Maison Symphonique. The last time the orchestra visited Montreal was in 1984, more than 30 years ago. Boston Symphony Orchestra: Interview with the conductor, the young 38-year-old Andris Nelsons. [La Presse] Boston Symphony Orchestra: Concert review by [La Presse] Some tough criticism of the Boston Symphony Orchestra at the Maison Symphonique. [Le Devoir] CANADA : The OSM has unveiled a new video on Twitter: https://twitter.com/OSMconcerts/status/838396186407145472 Review of the all-Schubert concert by pianist András Schiff on Friday at the Maison Symphonique. [Le Devoir] The exposition Carnets naturalistes by Denise Blackburn runs until April…

Thursday Headlines: Classical music concerts more popular than football in Germany

By Olivier Gentil on 6 March 2017 Arts Industry, Canadian Music, Chamber Music, Classical, Contemporary, Daily News Roundup, Orchestral, Quebec Music, Strings, Violin

Here are your daily headlines in classical music and the arts ! Hard to believe, but it’s true: “Classical music concerts in Germany are officially more popular than football matches,” even though they have one of the best football teams in the world. [The Strad] [ClassicFM] CANADA OSM POP: Review of Arianne Moffatt’s concert with the OSM at the Maison Symphonique. [La Presse] [Le Devoir] Twittosphère : Yesterday at the McCord museum, guest speaker Monique Savoir said that Montreal should be more adventurous in its architectural projects. The former artistic director of the Orchestre symphonique du Saguenay-Lac-Saint-Jean and former director of the Conservatoire…

Lebrecht Weekly – Nadia Boulanger: Works (Delos/SWR Music)

By Norman Lebrecht on 3 March 2017 CD and Book Reviews, Contemporary, Lebrecht Weekly, Piano

In half a century of listening to records, I cannot recall ever hearing music by the noted French pedagogue Nadia Boulanger. Revered by a stream of American (Copland, Harris, Carter, Glass) and British (Berkeley, Musgrave, Maw) pupils, the formidable Mademoiselle deferred to the music of her short-lived sister Lily and barely spoke of herself as a composer. Two releases, newly landed, may help to adjust that misperception. On Delos, an outpouring of early songs betray an uncritical adoration of Debussy, with touches of Saint-Saëns, Franck and a hint of the Russians. Nicole Cabell, Alek Shrader and Edwin Crossley-Mercer make the…

Christina Petrowska Quilico: Worlds Apart (Centrediscs)

By Kiersten van Vliet on 3 March 2017 Canadian Music, CD and Book Reviews, Contemporary, Piano, Quebec Music

Worlds Apart Christina Petrowska Quilico Centrediscs, 2017. CMCCD 23717, 2 CD. 88 min 13 s. Christina Petrowska Quilico dropped a new album today – a cross-section of Canadian piano repertoire – that features a wide variety of post-modern compositional techniques. In this two-CD set, the first disc is entitled Classics with a Twist – a way to dip your big toe in the pool before jumping in headfirst in the second. With overt references to the titans of Romantic piano repertoire – Schumann, Brahms, and Chopin – Rea, Koprowski, and Gellman dish up the familiar in surprising ways. The second…

Nicole Lizée, Photo: Marc Bourgeois

Interview: Nicole Lizée Redux

By Kiersten van Vliet on 2 March 2017 Contemporary, Interviews

Back in January, I interviewed Montréal-based composer Nicole Lizée for the cover of the February/March issue of La Scena Musicale. We had a long and involved conversation, covering many topics that simply could not make the print article due to space constraints. In light of the evening of her music last night with Standing Wave at the SMCQ’s Montréal/New Musics festival (which runs until March 4), I thought it would be interesting for my own sake to return to our original interview. But that’s when I realized that there’s a lot more in there that could be relevant to those…

Wednesday Healdlines: Notre-Dame Basilica at the heart of Montreal 375 festivities in new luminous project

By Olivier Gentil on 1 March 2017 Arts Industry, Canadian Music, Classical, Contemporary, Orchestral, Quebec Music, Strings, This Day in Music, Violin

Here are your daily headlines in classical music and the arts! After the illumination of Jacques-Cartier Bridge, the Montreal-based firm Moment Factory had received has been called to illuminate the Notre-Dame Basilica. Both events are part of the 375th anniversary festivities in Montreal. [Radio-Canada] [Canoë] [TVA] [CNW-Newswire] https://www.youtube.com/watch?v=nh5a3Hd7lrY CANADA Interview with violinist from Trois-Rivières Antoine Bareil, for the Quartango band. [La Presse] Death of Quebecois artist Claire Guérette. She was well-known for his textile works. [La Presse] INTERNATIONAL Estonia is working on the project named “An instrument for each kid,” who, as the title said, try to democratise music for all. The project takes place in…

Lebrecht Weekly – Boris Tishchenko: 8th symphony (Naxos)

By Norman Lebrecht on 24 February 2017 CD and Book Reviews, Contemporary, Lebrecht Weekly, Orchestral, Violin

Try as I might, I can’t stop listening to these late works of a Russian composer who was close to Shostakovich but never tried, as others did, to imitate him. The eighth symphony, written in 2008 when Tishchenko was mortally ill, draws the ear into an eerie landscape of ghosts, trolls and spooks, weird and possibly political. The composer thought it might make a good companion piece to Schubert’s “Unfinished” Symphony. He was right: it would. But where is the conductor or orchestra manager that dares to do such a thing in timid 2017? Unlike Schubert, there are expressions here…

Opéra Lafayette’s Production of Léonore, ou L’amour Conjugal a Real Success

By Olivier Gentil on 21 February 2017 Canadian Music, Classical, Classical Music, Contemporary, Daily News Roundup, Opera, Orchestral, Quebec Music, Scena Jazz, Strings, Violin

CANADA Jean-Philippe Tremblay, Artistic director of the Société d’art lyrique du Royaume (Chicoutimi), explain his plans and ambitions for the orchestra. [La Presse – Le Quotidien] To celebrate the 50 anniversary of the SMCQ, Radio-Canada will publish a series of web and radio rendez-vous, highlighting the greatest contemporary. [Voir] Sherbrooke: Review of the concert with the pianist Anne-Marie Dubois, accompanied by the Sherbrooke Symphony Orchestra. [La Presse] Demographics et numerical challenges for the cultural organisms in the East of Quebec.[Radio-Canada] INTERNATIONAL Opéra Lafayette’s production of Léonore, ou L’amour conjugal a real success. – [washingtonclassicalreview] [TheWashingtonpost] [La Scena] European Union Baroque Orchestra: The orchestra will relocate…

A Glenn Gould debut at the Ladies’ Morning Musical Club

By Arthur Kaptainis on 21 February 2017 Baroque and Early, Concert Reviews, Contemporary, Piano, Romantic

The Ladies’ Morning Musical Club advertises a venerable history with its very name. On Feb. 5 in Pollack Hall the organization paid tribute to its 125th anniversary by asking Stewart Goodyear to recreate Glenn Gould’s Montreal debut recital of 1952. Gould is the quintessentially inimitable pianist, yet Goodyear in Orlando Gibbons’ Pavan and Galliard for the Earl of Salisbury demonstrated straightway a certain affinity with his fellow Torontonian by making the left and right hands seem so indepedent. Perhaps his eagerness to use the full sound of the Steinway was a individual trait. Oddly, Bach’s Partita No. 5 flew by…

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