Opernhaus Zürich’s Die Fledermaus (seen Dec. 7) opens with a prelude in the form of a short film. It’s a party: young, good-looking people, drinks in hand,…
The first new production under Matthias Schulz, freshly installed as Intendant of the Opernhaus Zürich, was an emblematic choice: Strauss and Hofmannsthal’s Der Rosenkavalier (seen Sept.…