Lebrecht Weekly | Yuja Wang: The American Album (DG)

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Our inbox has clogged up with readers’ demands to know what the new Yuja album is all about. So, if you insist, it’s neither one thing nor the other.

It begins with Yuja playing a 4:34 minute solo by Michael Tilson Thomas, followed by a half-hour piano concerto by Teddy Abrams. Both composers are, in the main, conductors – and it shows. The MTT vignette is a jazz-club vignette. The Abrams concerto falls midway between Glenn Miller and Big Bill Broonzy with a central patch of Hollywood marshmallow.

Yuja’s job involves honky-tonking around in the left hand without much glitter in the right. She can play this stuff, and much else, without batting an eyelash. To what purpose is another matter.

I sampled her piano solo on the most advanced audio-lab equipment and asked my hosts in disbelief if Yuja was playing a Steinway. She was, but she has reached the point of trademarking her own sound to the point where the manufacturer’s name practically falls off. The resultant sonority is both distinctive and intriguing. She needs to find better composers in future.

Teddy Abrams, is conductor of the Louisville Orchestra and has been touted for a while as the coming man without actually going anywhere, so far.  Seems he’s a college pal of Yuja’s and she’s returned a favour in this recording. Nothing in his piece changed my life, or my socks.

NL

This page is also available in / Cette page est également disponible en: Francais (French)

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About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

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