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The myth of Cain and Abel has been the object of many a literary work. One penned by Nobel Prize-winning novelist José Saramango is the most noteworthy treatment to have appeared in recent times. Cain is portrayed in it as the victim of a violent, cruel and corrupt God. Impressed by the treatment, Michel Gonneville started thinking about turning it into an opera. On February 19, 2019, his intentions will be fully realized during the Montréal/Nouvelles Musiques International Festival with the premiere of L’hypothèse Caïn. In his preparations, Gonneville was inspired by two other writers: Konrad Lorenz and his studies…