Browsing: Vocal

TORONTO (July 7, 2015) – Culchahworks Arts Collective and Panamania in association with Nightwood Theatre and b current proudly present the world premiere of Obeah Opera, a groundbreaking a cappella musical odyssey conceived, written and composed by Culchahworks Co-Artistic Director Nicole Brooks that runsTuesday August 4 to Saturday, August 8 at the Young Centre for the Performing Arts in The Distillery District (Media Night August 6). Tickets are available at http://youngcentre.ca/ or by calling the Young Centre Box Office at 416-866-8666 and will be available athttp://obeahopera.com/within the week.Obeah Opera is a hand clapping, foot stomping, spirit-lifting, magical musical sensation unlike…

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Vienna/Verona/London – This summer, Russian born soprano Ekaterina Bakanova is making her double debut at two of the most prestigious opera stages in the world: From 9th until 16th July she will sing the role of Musetta in “La Bohème” at the Royal Opera House in London alongside Piotr Beczala. After that she will empersonate Donna Anna in Mozart’s “Don Giovanni” at the great open-air spectacles in the Arena di Verona (30th July, 12th August).Ekaterina Bakanova has recently become a secret tip among international opera stages from Beijing to Rio de Janeiro. Particulary in Italy, the soprano (*1984) is already…

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Hong Kong (HKSAR) – As part of the Chinese Opera Festival 2015, the Leisure and Cultural Services Department will stage performances by Jingkun Theatre and Shandong Peking Opera Theatre in late July. Tang Yuen-ha and Geng Tianyuan, artists of Peking opera and Kunqu opera from Hong Kong, will be joined by Kunqu veteran Lu Yongchang and members of the Shandong Peking Opera Theatre in performing some classics of the Peking and Kunqu opera stock repertories.”The Number One Scholar as the Matchmaker” will be staged on July 29. Also known as “The Invincible Formation”, the opera was adapted by Ye Delin…

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“Timothy Vernon will bring a lifetime of opera success to audiences in the National Capital. His outstanding productions and innovations have won ovations across Canada and the world. What a musical coup for all of us!” – Victor RabinovitchVictor Rabinovitch, Chair of the Board of Opera Lyra, and John Peter Jeffries, General Director of Opera Lyra, announced today that Timothy Vernon has been appointed new Artistic Director of Opera Lyra, starting immediately with the 2015-2016 season. Maestro Vernon is one of the leading figures of the Canadian operatic scene and brings to Opera Lyra an exciting new artistic vision for the future…

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By Wah Keung ChanPhoto: Antoine SaitoThe second night of the Finals of the 2015 Montreal International Musical Competition began with the anticipated Canadian soprano France Bellemare, whose semifinal performance of Dvorak’s Song to the Moon reminded me of 2007 MIMC winner, Canadian soprano Marianne Fiset’s simple regal stature.Unfortunately, Bellemare was plagued by strained high notes as she has a tendency of lifting her head and tilting it to the right to sing anything above a high F as she did in “Je dis que rien ne m’épouvante” from Bizet’s Carmen and “Porgi amor” from Mozart’s Le nozze di Figaro. It…

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By Wah Keung ChanPhoto: Antoine SaitoLet’s get the suspense out of the way. South Korean soprano Hyesang Park took the Day 1 Finals of the 2015 Montreal International Musical Competition (MIMC). From the first notes of her opening aria “Je veux vire dans ce reve” from Gounod’s Romeo et Juliette, we knew her voice would soar above the orchestra, and it unfolded as expected, with a spontaneous final standing ovation after her last aria.Park’s programme was perfectly planned, concluding with the mad scene from Donizetti’s Lucia di Lammermoor. The repertoire in between, a Mozart concert aria, Dupac’s Chanson triste and…

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TAPESTRY OPERA RECEIVES GRANT FROM OPERA AMERICA TO FUND 12 INDEPENDENT COMPANIESIndie Opera T.O to use funds for innovative digital awareness campaign Toronto, ON — Tapestry Opera is pleased to announce that it has been awarded a grant of $35,000 USD in the third year of OPERA America’s Building Opera Audiences grant program. This program, made possible by the Ann and Gordon Getty Foundation, supports the efforts of North American opera companies to build informed, enthusiastic audiences for opera through innovative marketing projects. Tapestry Opera was granted funds to support 12 independent opera companies in Toronto through the budding Indie Opera T.O movement.Tapestry Opera is one of nine organizations in…

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Philip Glass Announced asEleventh Glenn Gould Prize LaureateA fearlessly innovative, collaborative and prolific composer“I am very pleased to be the winner of the Eleventh Glenn Gould Prize. It is for me a special honor as I am one of the many musicians who have been inspired by him. Glenn Gould’s name is associated with a lifetime of excellence in music interpretation and performance. Also I am aware that this award places me in the company of some of the most celebrated names in the broad spectrum of the music of our time. It is, therefore, with great pleasure that I accept this award.” – Philip…

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Italian tenor Carlo Bergonzi was 90 years old when he died this past week. He had a long and illustrious career. His made his debut at La Scala in 1953 and at the Met 3 years later. Thereafter, he was a regular at the Met for 30 years. He was not the most exciting tenor of his generation. But he was widely admired for his beautiful tone and good taste.Like too many artists Bergonzi didn’t know when to quit and left a major blemish on his career. In 2000 he attempted to sing the leading role in Verdi’s Otello in…

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It was recently announced that Quebec conductor Bernard Labadie would step down from his post as music director of Les Violons du Roy. He will become founding director, presumably a title which suggests far less conducting than in the past. Now comes an announcement this past week that Labadie has cancelled all conducting engagements through the rest of 2014 “for health reasons.”In the past few seasons Labadie has become incredibly busy as a guest conductor with orchestras around the world. He is an authority of historical performance practice and a very welcome guest conductor wherever he goes. We understand that…

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