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Browsing: Romantic

Wagner at the Welsh National Opera

By La Scena Musicale Team on 7 July 2010 Concert Reviews, Opera, Romantic

By Frank Cadenhead Wagner as compelling dramatist? Who knew? The wordy, inflated and repetitive tales we are so accustomed to were nowhere to be seen in the new and revelatory production by Richard Jones of Wagner’s Die Meistersinger von Nürenburg with Cardiff’s Welsh National Opera. This Meistersinger boasted an enjoyable cast that would be envied in Vienna, New York, Berlin, London or Paris, led by the grand Welsh baritone Bryn Terfel as Hans Sachs. Terfel only seems to grow as an artist. After his definitive Don Giovanni at the Verbier Festival last July, his Hans Sachs could be a model…

Mahler Resurrection a Dallas Symphony Specialty!

By Paul E. Robinson on 6 June 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonI try to get to Dallas as often as I can to bask in the glory of the Morton H. Meyerson Symphony Center, one of the world’s great concert halls. After listening to concerts in other venues, it is always a shock to experience the Meyerson. To hear every instrument in the orchestra as it was meant to be heard, and to hear the perfectly blended sound of a fine orchestra, with a presence that is palpable, is satisfaction beyond words. Simply put, as the saying goes: “You had to be there!”Of course, the Meyerson is simply…

Austin Symphony Shines Again in Mahler

By Paul E. Robinson on 31 May 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonThe 100th anniversary of Mahler’s death is in 2011, but conductors and orchestras are already programming his music at every opportunity – Symphony No. 2 with Jaap van Zweden in Dallas at the end of May, for example; and more recently, Symphony No. 1 with Peter Bay leading the Austin Symphony.Mahler’s Long Lost Blumine Blossoms on its OwnMaestro Bay opened the evening’s programme with Blumine, which began its life as part of the Symphony No. 1 until Mahler decided it didn’t belong there after all.At the first three performances of the Symphony No. 1 in the 19th…

Strauss’s Don Quixote Brought to Life by Bay and Austin Symphony

By Paul E. Robinson on 24 March 2010 Concert Reviews, Orchestral, Romantic

by Paul E. RobinsonWhat a revolutionary idea it was to provide surtitles (“translated or transcribed lyrics/dialogue projected above a stage or displayed on a screen”) in the opera house! All of a sudden, people actually understood what was going on. An art form that had been forbidding and impenetrable for millions was transformed into something welcoming and meaningful. Shame on the Karajans and Levines who, for whatever reason, delayed that monumental breakthrough in communication.I believe the concert hall could use the same communication overhaul afforded the opera house. To my mind, vocal works should always have surtitles; most often, they…