Browsing: Romantic

“L’amour est un oiseau rebelle que nul ne peut apprivoiser,  Et c’est bien en vain qu’on l’appelle, S’il lui convient de refuser.” With these lines, Georges Bizet’s Carmen bursts onto the stage, declaring that love is wild, untameable, and indifferent to human desire. This is the heart of Carmen: a tale of irresistible attraction and fatal freedom, set against the sun-drenched streets of Seville. Nearly 150 years after its premiere, Carmen remains a fan favourite. According to OperaBase, it is the third most performed opera in the world, with 19,405 performances across 4,686 productions, including 232 performances in Canada. History…

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If Marie-Nicole Lemieux’s arrival in Canada—and in Quebec, in particular—is always an event, what can we say about her local debut in Bizet’s Carmen, which celebrates its 150th anniversary in 2025! Her very first take on the role dates back to 2017, in Paris, alongside tenor Michael Spyres. “I was ready to sing Carmen long before I did it,” she says. “I was waiting for a conductor to have the courage to entrust me with the role, and that was Michel Franck, general director of the Théâtre des Champs-Élysées. Let’s face it, Carmen is mostly given to tall brunettes, which…

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One month apart, Orchestre symphonique de Laval (OSL) is presenting two concerts with dissimilar repertoires and moods, but they are linked by a name that resonates: Brahms the Romantic. These concerts are also an opportunity to get to know two young conductors with complementary visions. Symphonic Jazz Daniel Bartholomew-Poyser grew up in Montreal and then moved to Calgary. His professional career has taken him to the United States, Ontario and Nova Scotia, among other places. His April 16 OSL concert at Salle André-Mathieu will mark his second return to Quebec in just over a year. On the program are compositions…

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On Nov. 16, Opéra de Montréal (OdeM) took up the challenge of presenting a little-known work from the French repertoire for the first time in its recent history. Of the entire production, conductor Jacques Lacombe was the only one to have performed it before. It sure speaks for the rarity of this Hamlet by Ambroise Thomas. But what a discovery, what an abundance of musical themes, what genius of orchestration! Without analysing the score in detail, we can legitimately be enthusiastic about the saxophone solo at the start of Act II, Scene 2, a gesture as astonishing as it is…

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The 2024-25 season marks the 40th anniversary of Les Violons du Roy. Founded by Bernard Labadie in 1984, the Quebec City chamber orchestra first made a name for itself with concerts and recordings of Baroque repertoire, before tackling a whole range of works from different eras—from classical to contemporary to Romantic—over the past few decades. The programming of this new season is a tribute to the diversity of the ensemble’s repertoire. Les Violons du Roy opened its current season with Mozart quartets and quintets. Next came Bach cantatas with countertenor Hugh Cutting, followed by a touring Handel program with the…

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