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“What happens when you find a ghost and you bring it into a work of music?” asks Nicole Lizée. Insofar as that question is answerable, her compositions that form a dialogue with the surrealist film worlds of David Lynch, Stanley Kubrick, and Alfred Hitchcock or compositions that meld outmoded and glitching gadgets with western chamber instruments unveil the eerie temporal rift between present and past as humans interact with media and technology. Sound Sources Born in small-town Gravelbourg, Saskatchewan in 1973, Lizée’s experiments in sound led her to pursue piano at Brandon University, Manitoba followed by a MA in composition…