Browsing: Chamber Music

For Immediate Release, October 20, 2020 … The vibrant, expressive musical palette of cellist Matt Haimovitz and the graceful insight of pianist Mari Kodama meld in MON AMI, Mon amour, the new album from the PENTATONE Oxingale Series, available internationally on November 6, 2020. Haimovitz’s soaring cello and Kodama’s incisive piano flow together in constant, colorful conversation for rarities by sisters Lili and Nadia Boulanger, in the poignant Kaddish by Ravel and the melancholic Élégie by Milhaud, for iconic works by Poulenc and Debussy, and in beloved gems by Fauré. Framed by the 20th century’s two world wars, these French…

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Violinist Timothy Chooi won Second Prize at the 2019 Queen Elisabeth Competition in Belgium. He had already made a name for himself after receiving numerous awards, including the First Prize of the 2018 Joseph Joachim International Violin Competition in Germany, the First Prize of the 2018 Schadt Violin Competition in the USA, the Michael Hill Violin Competition in New-Zealand and the OSM ManulifeCompetition in Canada. In 2018, he won the Yves Paternot Prize at the Festival Verbier in Switzerland, which rewards the most promising and accomplished musician at the annual Academy of Young Professional Musicians. Timothy Chooi studied at the Curtis…

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You’ll often hear me telling people a couple of generations down the line that they should listen to new music of our time rather than Beethoven and Mahler, which they will enjoy better once they are in their 50s. Can’t say I’ve made many converts. All the usual excuses: get home from work, make supper, put the kids to bed, veg out on the sofa, no concentration left for the squeaks and squawks of contemporary composers. Yeah, been there, done that. But I’m not giving up trying to persuade younger people to listen to the new. Wrap your ears, for…

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On Thursday, October 15, Canadian conductor Yannick Nézet-Séguin joins Allegra Chamber Music for a Virtual Gala celebrating the organization’s 40th anniversary. Nézet-Séguin will perform at the piano in one of the works alongside his life-partner violist Pierre Tourville who has been a member of Allegra for 15 years. Allegra includes pianist Dorothy Fieldman Fraiberg, clarinettist Simon Aldrich, violinists Alexander Lozowski and Elvira Misbakhova and cellist Sheila Hannigan. The public Virtual Gala begins at 7:15 PM at www.allegrachambermusicgala.com on Facebook and YouTube. The concert is free, but donations are appreciated. See Yannick’s invitation  And in rehearsal. And Pierre Tourville’s invitation About Allegra…

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In a dark moment of isolation, I found myself thinking of Viktor Ullmann (1898-1944) a student of the atonalist Schoenberg and the microtonalist Haba who never really found his voice until darkness descended and he faced segregation and extinction. Before 1939 he’d enjoyed fragments of international attention, with a piano sonata premiered in London at the Wigmore Hall and a few more glimmers of invitation. In 1939, after the Germans occupied Prague, he set about writing a piano concerto for Juliette Aranyi, a fellow-Haba student, knowing it might never get performed. Both composer and soloist were deported in 1942 to…

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Montreal, April 1st 2020 – The current isolation measures are difficult for all music lovers, which is why l’Orchestre classique de Montréal chose to innovate and present a series of eight mini concerts online. It’s our way of offering audiences a taste of the upcoming season while bringing light and hope to the hearts of classical music enthusiasts. Starting Tuesday April 7, at 7:30 P.M., a featured soloist of the 2020-21 season will give a mini-concert on OCM’s Facebook page, taking the public on a journey of their favourite musical genres. Each 45 minute performance will unveil the programming details of our…

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What can you do with 3 sopranos and 2 altos. Be inventive, that’s what. The all-women quintet Papagena have come up with a range of unaccompanied songs, settings and original commissions that often takes the breath away. Don Macdonald’s Moonset, for instance, does just what the title says: it sinks, gently, bringing hope of a new day, a breath of fresh air. Libby Larsen’s Jack’s Valentine declares ‘I love you’ with just the right degree of equivocation. Sweet Child O’Mine is a Guns N Roses hit reset for a capella voice – magic. Apart from Larsen, David Lang, Tchaikovsky and Gustav Holst, I don’t recognise any…

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“Only good news from the Ladies’ Morning Musical Club,” Constance Pathy, president of the venerable organization, said at the formal launch of the 2020-21 season. The announcement came a day before some not-so-good news, as the LMMC was forced to cancel the March 15 appearance of the Pavel Haas Quartet with pianist Boris Giltburg, thus joining several Quebec organizations (and countless worldwide) affected by the coronavirus outbreak. A recital on April 5 by the Russian pianist Pavel Kolesnikov is also cancelled. Premier François Legault’s ban on gatherings numbering more than 250, announced on March 12, was intended to remain in…

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Meet Jonathan Cohen, cellist, baroque cellist, classical cellist, orchestral player, chamber musician, Cambridge scholar, pianist, harpsichordist, conductor, recreational sailor, father of one. And most importantly for our purposes, music director of Les Violons du Roy. The native of Manchester and resident of London has held that position since 2017, although a Montreal music fan might be forgiven for supposing that Bernard Labadie was still at the helm. This season alone, the founding conductor of Les Violons has led Handel’s Messiah in the Maison symphonique and is booked to conduct a double-Requiem night (Fauré and Duruflé) on April 4. “I get…

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Nadia Labrie launches a new installment of her ongoing series of recordings entitled Flute Passion on Feb. 12. As a follow-up to her previous Analekta album devoted to Schubert, Labrie turns her attention to Bach, a composer she first fell in love with during her student days and whose music she wanted to dedicate a recording to someday. “I had been thinking about doing Bach for my series almost as long as I did about Schubert,” Labrie confides. “I first thought of it when I was 20, and it became an idée fixe. In my spare time, I’d go back…

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