Arthur Kaptainis has been a classical music critic since 1986. His articles have appeared in Classical Voice North America and La Scena Musicale as well as Musical Toronto. Arthur holds an MA in musicology from the University of Toronto. From 2019-2021, Arthur was co-editor of La Scena Musicale.
Even in the era of COVID-19, Sinfonia Toronto is thinking big. Beethoven’s Seventh Symphony and Rachmaninoff’s Piano Concerto No. 2 are on the 2020-21 schedule.…
Homage and Inspiration. Works by Schumann, Kurtág, Mozart and Christof Weiß Iris Trio. Coviello COV 92002 Total time: 62:46 Music schools often spawn multinational collaborations.…
Walter Kaufmann: Chamber works ARC Ensemble. Chandos 20170 Total time: 77:37 Back when cultural appropriation was not a hanging offence, composers from Europe and the…
Liszt and Thalberg: Opera transcriptions and fantasies Marc-André Hamelin, piano. Hyperion CDA68320. Total time: 75:00 Many an operatic tune got itself whistled in the 19th…
What to do on a sun-drenched Sunday afternoon in September? A few hundred followers of the Orchestre Métropolitain chose to ponder the impermanence of youth…
Bar and coat check are closed. Keep a safe distance. Gatherings are forbidden. Face coverings are required when moving about. Then, for old times’ sake:…
“One hundred percent positive” is how Isolde Lagacé, general and artistic director of Bourgie Hall, describes the reaction of the performers she contacted with offers…
CAMI bites the dust The world’s best-known classical artist management agency, Columbia Artists Management Inc., went out of business on Aug. 31, leaving Mirga Gražinytė-Tyla,…