West region articles and news
Paradisum is an unusual theatrical experience—a dark and brooding new circus show grounded in contemporary dance, with enough high-flying acts of derring-do to arouse the audience to frequent applause. That at least was the case in Vancouver when Hungary’s Recirquel premiered Bence Vági’s Paradisum in North America as part of the DanceHouse season, presented in partnership with the Cultch. Key to this brooding and also beautiful work is the mysteriously threatening setting—mountains and towers rise imposingly, then collapse and reform, or melt into thin air and reappear in new configurations. Once I became aware of the simplicity of the stagecraft,…