Lebrecht Weekly - my/maSCENA

London Nights (Capriccio)

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By Norman Lebrecht on 5 November 2021 Lebrecht Weekly, Newswire

In my 20s, on a spare afternoon, I would stroll down the Thames from Westminster to the City marvelling at how little had changed in the essential topography since the days of Shakespeare and Pepys. Yesterday, I had cause to wander through Leadenhall and Lombard and was struck at how little I recognised. Glass and steel skyscrapers have created a humanoid alienation, an impermeable wall between eternal London and the 21st century version. I felt a similar regret listening to Franziska Lee’s album of Londonoid piano pieces, intelligent and well played though it is. Lee, a German-trained Korean, plays Michael…

Photo: Mark Pillai

Emily D’Angelo: Enargeia (DG)

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By Norman Lebrecht on 29 October 2021 Lebrecht Weekly

Most debut vocal albums consist of familiar arias sung in much the same way as all the big divas and stuffed with agent-approved hype. Not this one. I have never heard any of the songs on this Canadian mezzo’s first outing and know no more about her except that I tipped her for stardom six years ago and now discover that my first impression was a woeful underestimate of her tremendous promise. O, Canada! The songs first. They are all by women – Missy Mazzoli, Sarah Kirkland Snider and Hildur Guðnadóttir, with two modern arrangements of medieval devotions by the…

Shani Diluka: The Proust Album (Warner)

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By Norman Lebrecht on 22 October 2021 Lebrecht Weekly

Every now and then a record arrives that I have been waiting for all my life. As any Marcel Proust reader knows, the author’s search for lost time involves a tremendous amount of musical reminiscence and quotation, drawn from the salons of fin-de-siècle Paris. There must be a record of them, I used to think. There is now. Expect no masterpieces in this album. Although Proust once attended eleven consecutive performances of Debussy’s Pelléas et Mélisande, his musical tastes were as trivial as the idle conversations he so languidly eavesdropped. The album opens with a piano concerto in E by…

The Polish Violin, vol. 2 (Chandos)

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By Norman Lebrecht on 15 October 2021 Lebrecht Weekly

I should have been on my way to Warsaw for the Chopin Competition but circumstances intervened and I find myself listening to unknown Poles of a different kind. The English violinist Jennifer Pike has Polish ancestry on her mother’s side. While rummaging a music shop in Krakow, she came away with unknown scores and turned them into a pair of fascinating releases. The familiar composers presented here are Karol Szymanowski and Grazyna Bacewicz, but not as we know them. Szymanowski’s 1904 violin sonata has yet to develop his trademark asperity, while his three Paganini Caprices of 1918 would make perfect…

Photo: Julien Mignot

Round midnight: Dutilleux, Merlin, Schoenberg (Erato)

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By Norman Lebrecht on 8 October 2021 CD and Book Reviews, Lebrecht Weekly

With the fadeout of two landmark string quartets – Germany’s Artemis in disarray and America’s Emersons to retirement – France’s Quatuor Ebène probably head the current list of the world’s best. Four crack musicians who play standing up and are forever pushing out boundaries, their album releases are always an event and often a surprise. This new recording pairs two nocturnal masterpieces – Henri Dutilleux’s Ainsi la Nuit and Arnold Schoenberg’s Verklärte Nacht. Dutilleux goes down the Bartok path of things that go squeak in the night. Schoenberg listens in to illicit lovers in the woods. Both works arouse fear…

Beethoven, Birtwistle: A bag of bagatelles

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By Norman Lebrecht on 1 October 2021 CD and Book Reviews, Lebrecht Weekly

England’s most adventurous living composer never bothered much with the piano. Harrison Birtwistle started out on the clarinet, composed operas in his head and wrote one without strings. Asked for a piano concerto, he delivered something called Antiphonies, which is more street fight than conversation between piano and orchestra. You get the impression he’s not that keen on anything in an instrument but percussive coloration. Now 87, Birtwistle has a unique sound imagination and an approach to music that misses out many of the building bricks. He once told me that the only symphony of Mahler he knew was the…

CD Review: Voice of Nature: The Anthropocene (Decca)

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By Norman Lebrecht on 24 September 2021 CD and Book Reviews, Lebrecht Weekly

Voice of Nature: The Anthropocene Songs by Fauré, Grieg, Hahn, Liszt, Nico Muhly, Kevin Puts, Caroline Shaw Renée Fleming, soprano. Yannick Nézet-Séguin, piano Decca 4852089 ★★★★✩ / ★★✩✩✩ Good to hear that America’s prime diva is not going gentle into that good night. Past 60 and no longer taking operatic roles, she sings out full and flamboyant in this set of nature-themed songs that came together during her daily walks in the COVID lockdown. Everything you’d expect from a Fleming recital is here – the effortless highs, the velvety lows, the flawless intonation, the jumbled syllables in several tongues. Her…

Piazzolla Cien Anos (Century Records)

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By Norman Lebrecht on 17 September 2021 CD and Book Reviews, Lebrecht Weekly

One of the sadder casualties of the Covid shutdown has been the centenary plans for Astor Piazzolla (1921-1992), the Argentine composer whose music exquisitely captures the existential melancholia of our time. Piazzolla is so intimately identified with Buenos Aires that his wider relevance is often missed, but it is truly global. Raised by Italian parents in lower Manhattan, he absorbed jazz, gypsy music and Jewish theatre. Taught by a Rachmaninov pupil of Hungarian origin, he returned to Buenos Aires for lessons with Alberto Ginastera and Raul Spivak, before finishing up in Paris with , who infused him with the worship…

CD Review: Solem Quartet – The Four Quarters (Orchid)

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By Norman Lebrecht on 10 September 2021 CD and Book Reviews, Lebrecht Weekly

Thomas Adès: The Four Quarters (works for string quartet by Adès and others) Solem Quartet − The Four Quarters (Orchid) ★★★★★ Emerging from the depths of Covid are some of the freshest ideas we have seen in years. Here, a newly formed string quartet takes a 2012 score by the British composer Thomas Adès and intersects it with works of their own making, very old and very new. The Adès piece describes the earth’s 24-hour rotation on its own axis – neat, but not stunningly original in either concept or content. Like his contemporary Young British Artists in the visual arts,…

Lebrecht Weekly: Paderewski, Stojowski: violin sonatas (CPO)

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By Norman Lebrecht on 3 September 2021 Classical Music, Lebrecht Weekly

We don’t hear much of Ignacy Jan Paderewski these days, let alone his friend Zygmunt Stojowski. The first prime minister of independent Poland has been overshadowed politically by the nation’s turbulence and musically by Szymanowski. Famed in his day as a virtuoso pianist, Paderewski enjoyed considerable reputation before 1914 as a popular symphonist in sub-Rachmaninov mode. His lifelong pal Stojowski was equally successful on both fronts. I can’t remember seeing either of them on a concert programme in recent years. This pairing of violin-piano sonatas by the two Poles comes close, at times, to revelation. The Paderewski sonata dates from…

Browsing: Lebrecht Weekly

London Nights (Capriccio)

Emily D’Angelo: Enargeia (DG)

Shani Diluka: The Proust Album (Warner)

The Polish Violin, vol. 2 (Chandos)

Round midnight: Dutilleux, Merlin, Schoenberg (Erato)

Beethoven, Birtwistle: A bag of bagatelles

CD Review: Voice of Nature: The Anthropocene (Decca)

Piazzolla Cien Anos (Century Records)

CD Review: Solem Quartet – The Four Quarters (Orchid)

Lebrecht Weekly: Paderewski, Stojowski: violin sonatas (CPO)

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