Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.
It must be a seasonal thing. When fresh mushrooms simmer and asparagus gently steams, it starts raining …Haydn. Sure enough, four Haydn releases have landed…
In May 2015, visibly frail, the august Nikolaus Harnoncourt stood before his Concentus Musicus Wien and directed two Beethoven symphonies in a reading that followed…
Slower even than one-horse EMI, Deutsche Grammophon was the last label of consequence to adopt stereo recording in the late 1950s. Its circumspection is, in…
Most composer reputations subside in the generation after their death. It’s as if posterity calls time out while deciding its final judgement. Witold Lutoslawski is…
Viennese masters, always short of cash, picked up commissions from rich British tourists for composing drawing-room settings of national heritage. Haydn and Beethoven filled their…
After two years of creative trauma that silenced almost every leading composer, the latter half of the First World War yielded works of extraordinary intimacy.…