Arthur Kaptainis has been a classical music critic since 1986. His articles have appeared in Classical Voice North America and La Scena Musicale as well as Musical Toronto. Arthur holds an MA in musicology from the University of Toronto. From 2019-2021, Arthur was co-editor of La Scena Musicale.
Happy ending. Not literally, of course, since Brahms’s Fourth Symphony – as Yannick Nézet-Séguin pointed out Saturday to an audience of about 250 in the…
Start your symphonic engines The race goes to the swift. And the lucky. The OSM promised a return to live-public programming minutes after Quebec Premier François Legault…
“Sort of a Romeo and Juliet thing,” Taras Kulish, executive director of the Orchestre classique de Montréal, says of Mykola Lysenko’s epic 1891 opera Taras…
“It’s the biggest logistical challenge of my career,” Christiane LeBlanc, executive and artistic director of the Concours musical international de Montréal, said about the prospect…
Circle April 11 on your calendar. This date marks the return of the Ladies’ Morning Musical Club to Pollack Hall after months of provincially mandated…
Might catch on, this idea of attending concerts in person. Such is my prediction after Yannick Nézet-Séguin and his Orchestre Métropolitain performed in the Maison…
Not many natives of California choose to winter in Canada, particularly when the sojourn involves 14 days of quarantine. Kent Nagano, recently named conductor emeritus…
“It’s probably the most comfortable quarantine that I’ve ever experienced,” Kent Nagano said, via Zoom, from an undisclosed location on the island of Montreal. Also…