Randall Goosby: Roots (Decca)

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This page is also available in / Cette page est également disponible en: Francais (French)

Summertime is an ideal moment to break a new artist, a time when big names are out of town and the flow of label releases dries up.

Randall Goosby, 25, is Decca’s new poster-boy violinist.

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With an African-American father and Korean mother, he has been groomed for a stage career by Itzhak Perlman and the Juilliard fame school. He has major-league management in London and New York and a pleasant way of engaging with media. What could possibly go wrong?

On first impression – this is his debut album – Goosby has all the technique anyone could need and an off-the-shoulder phrasing that allows him to project youthful insouciance. His tone is clean as a scalpel and there is a real sense of pleasure in how he plays and what he wants to convey. The way he turns a 1735 Guarneri del Gesù into a country fiddle in bluesy works by Xavier Dubois Foley and Coleridge-Taylor Perkinson is the mark of a natural musician who is organically at ease with whatever instrument he plays.

The problem here is programming – specifically, taste and selection. William Grant Still is always worth hearing, and Florence Price, sometimes. Jascha Heifetz’s greatest hits from Porgy and Bess do little to vary the mood and Dvorak’s opus 100 American Sonatina is spruced-up country music in all but name. This listener feels short-changed.

I blame the Grammy-laden producer David Frost for not mixing it up more, nor insisting on a piano partner of greater character and challenging propensity than the desperately untesting Zhu Wang.

This is a cocktail platter of packaged bites. Goosby will need to do better next time around. When we hear him in a Brahms sonata, or one by Ives, we’ll get more of a sense of who he is and what he might become.


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This page is also available in / Cette page est également disponible en: Francais (French)


About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

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