Inaugural concert for the Azrieli Music Project

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Premiere of a large-scale work for orchestra, choir and tenor, in addition to compositions by Mahler, Bernstein and Wlad Marhulets

Kent Nagano, 4 soloists and the OSM Chorus

Montréal, September 16, 2016 – Maestro Kent Nagano is conducting the Orchestre symphonique de Montréal on Wednesday, October 19 at 8 p.m. atMaison symphonique de Montréal in a concert presenting a reflection on tradition, identity and on the universal character of music. Four wonderful soloists – tenor Frédéric Antoun, pianist Serhiy Salov, clarinetist André Moisan and soprano Sharon Azrieli Perez – and the OSM Chorus will join forces with the Orchestra on stage to perform masterworks by Bernstein and Mahler along with a spectacular concerto for clarinet by Wlad Marhulets, the inaugural winner of the Azrieli Prize in Jewish Music. The audience will also hear the world premiere of a groundbreaking and epic work by Brian Current, The Seven Heavenly Halls, winner of the Azrieli Commissioning Competition. The event is being presented in collaboration with the Azrieli Foundation.

The Azrieli Music Project is a daring and ambitious new initiative, fostering the creation of new orchestral works on a grand scale that is rarely seen. This first edition presents composers of two major new works reflecting on the history, culture and traditions of Jewish experience. While the Jewish experience is a  central theme of this program, music remains a universal language that transcends culture, ethnicity, time and place.

Commenting on the partnership with the Azrieli Foundation, Music Director Kent Nagano stated: “The Orchestre symphonique de Montréal is delighted to take part in this ground-breaking new initiative, which sets an impressive example for both philanthropy and creation in Canada. On behalf of the OSM, I would like to express our sincere gratitude to the Azrieli Foundation for spearheading this collaborative project.” 

Dr. Sharon Azrieli Perez (also performing excerpts from Mahler’s Rückert-Lieder) inaugurated the project in 2015, stating, “Music has always played an important role in the development of cultural identities; it reflects history and soul. In creating these extraordinary opportunities for composers of music inspired by Jewish experience, we hope to sustain music’s vital continuity through the long and rich history of Jewish people and culture. The Azrieli Music Project is a medium for innovation, creation and risk-taking by today’s most inspired orchestral composers.”  

Programme: 

  • The World Premiere of Brian Current’s magisterial The Seven Heavenly Halls for orchestra, chorus and tenor solo (with Frédéric Antoun, tenor)
  • Wlad Marhulets’ virtuoso Concerto for Klezmer Clarinet for orchestra  and clarinet solo (with André Moisan, clarinet)
  • Bernstein’s rarely heard The Age of Anxiety for piano and orchestra (with Serhiy Salov, piano)
  • Mahler’s sublime Adagietto for orchestra and Rückert-Lieder(excerpts) for soprano and orchestra (with Sharon Azrieli Perez, soprano)

A pre-concert discussion will be held in French and English starting at 7:00 pm on the Parterre level lobby of Maison symphonique. Kelly Rice will moderate the discussion which will include composers Brian Current, Wlad Marhulets, and composer and AMP jury member Ana Sokolović.

Details of works to be performed:

Brian Current’s The Seven Heavenly Halls is a work of grand proportions, calling for full orchestra and chorus, and a tenor soloist. This 25-minute piece was inspired by the ancient Kabbalistic book of the Zohar, with a scale harkening back to the golden age of great symphonic music. “While reading through the Zohar, I immediately heard turbulent and gestural music full of orchestral colours,” says Current. “Even more inspiring was the reference to the Sefer Hekalot or the Seven Heavenly Halls, a series of ecstatic stages where each vision is marked by a different colour.” 

Wlad Marhulets’ Concerto for Klezmer Clarinet brings the lively folk traditions of central Europe to the concert hall. Born in Minsk in 1986, Marhulets moved with his family to Gdansk, Poland as a child. It was there, at the age of 16, that he first heard a recording by acclaimed klezmer clarinetist David Krakauer. “Listening to this modern reinvention of klezmer music changed my life,” says Marhulets, who soon after moved to  New York City, where he met Krakauer and was taken under the wing of Oscar-winning composer John Corigliano. Marhulets’s Klezmer Clarinet Concerto was premiered by Krakauer and the Detroit Symphony Orchestra, under the baton of Andrew Litton, in 2009.

Gustav Mahler, Jewish by birth, fought persecution throughout his entire career. Fifty years later Leonard Bernstein was able to celebrate his Jewish cultural heritage openly and to critical acclaim. Works by Mahler and Bernstein on this program bear witness to the history of composers who struggled to express personal and cultural identity through the universal language of music.

 

La Scena Musicale - Coffret Découverte
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