Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

I had high hopes of this album, an attempt by period musicians to recreate the kind of stuff that might – repeat, might – have been performed in London pubs during the early 18th century. Henry Purcell, who hung out far too  much in London hostelries, was recently dead. Handel, who went in for heavy eating rather than heavy drinking, was newly arrived from Germany and still finding his way around the city’s entertainment venues. Match their music with the rougher folk trade that, then as now, played at esoteric drinking holes and the collusion promised possible enlightenment. The first…

Share:

Like Russians at tennis, Finns now predominate in the production of classical music. Finnish conductors command orchestras from San Francisco to Paris, Finnish soloists receive more than their fair share of concerto dates and Finnish composers are extensively promoted. Sadness at the recent death of the exceptional Kaija Saariaho merely magnified the size of the footprint that a marginal nation of five million citizens has planted across an international art form. Finnish musicians are exceedingly well trained and motivated. The question of individual quality is seldom put under the spotlight. Bis: ** Chandos: *** Einojuhani Rautavaara, who died in 2016,…

Share:

The world awoke to Yunchan Lim in the Rachmaninov concerto final of the Van Cliburn competition when the conductor, Marin Alsop, was seen wiping away a tear in wonderment at this astonishing young talent. Just 19 at the time, Yunchan has been pursued ever since with media deals. He says he prefers to spend his time on a Korean mountain, contemplating infinity. This, his debut recording, is a live take of the semi-final round of the Van Cliburn, issued by its piano sponsor. The audience is inaudible except at start and finish and the ambience is intense. A professional record…

Share:

The opening bars of this live performance assert that the Philadelphia Orchestra owns these works. The orchestra eases into the second symphony like an Olympic swimmer into a public pool, totally in its element, fearless of hazard or challenge. The strings are silken, the woodwinds ethereal. And then it all goes choppy. The Philadelphia Orchestra was involved with Rachmaninov from his arrival in America as a refugee in 1918 to his death 25 years later. Its music directors, Leopold Stokowski and Eugene Ormandy, championed his works and invited him to play them. The third symphony, his first important exile work, was…

Share:

Last weekend in Chicago the Music Critics Association of North America (MCANA) held its annual meeting, with meetings and discussion built around some major performances. The musical highlight was one of Riccardo Muti’s last concerts as music director of the Chicago Symphony Orchestra: Beethoven’s Missa Solemnis. MCANA was founded in 1957 with the express purpose of promoting and developing high standards of professional music criticism. In addition to its annual gathering in a different city each year, and other smaller gatherings from time to time, MCANA has also developed a highly-regarded website devoted to reviews and articles by its members.…

Share:

Dear readers, This Week’s News First Nations: The Encounter Ordre national du Québec (French) Orchestre de la Francophonie’s New Season (French) Job Offer – La Scena Musicale Fundraising Coordinator 2023-24 From the June Issue Our Summer Festivals Picks Reviews & Articles (La Scena Online) Yuja Wang Dazzles in Rachmaninov with TSO Lebrecht Weekly | Gustav Mahler: 2nd symphony ‘Resurrection’ (Pentatone) Summer Internships La Scena is looking for an Editorial Assistant intern and a Web Programming intern. You can find the job descriptions here. Best regards, Andréanne, newsletter editor

Share:

If ever you want to know why records are going out of business, look no further than the small print at the back of the booklet. The present performance was recorded in November-December 2018 in the Dvorak Hall in Prague. Almost five years have elapsed before we got to hear it. And just as the first copies were sent out three months ago they were instantly withdrawn because of ‘a manufacturing fault’, apparently in a German pressing plant. Does time mean nothing to record managements? No matter. All is forgiven on listening to the recording, which raises the bar yet…

Share:

Among classical artists today pianist Yuja Wang is unquestionably one of the select few who can fill a hall and drive an audience into a frenzy. She was in Toronto last week for three concerts – her second set of concerts in the city this season – and by all accounts nearly every seat was filled and she brought the house down. Wang is only 36-years old but she is already a superstar, partly for her often skimpy outfits but also for her electrifying musicianship. It was clearly Yuja Wang who filled the seats at the concert I heard on…

Share:

This Week’s News Finalists Announced for the 2023 Cliburn Junior La Scena Musicale is Looking for Interns (Fall & Winter 2023-24) Soprano Elisabeth St-Gelais Winner of the Prix d’Europe 2023 (French) News from Chapelle historique du Bon-Pasteur (French) Sinfonia Toronto Has Announced Its 2023-2024 Silver Anniversary Season Toronto Summer Music Festival announces TD Free Concert Series details From the June Issue Pierre Lavigne : Autour du clavecin at Centre culturel de Belœil (June 16-17) (French) Our Summer Festivals Picks Reviews & Articles (La Scena Online) TSO with Gimeno and Olafsson: Superb Mozart and Spectacular Berlioz Lebrecht Weekly | Kaija Saariaho: Reconnaissance (Bis)      Summer Internships…

Share:

Two weeks after the composer’s death, an album has been rush-released of her little-known choral music, some of it as captivating as any you will hear all summer. Saariaho is famed chiefly for her stark operas and intricate orchestral textures. She admits in the album notes to a lifelong inclination to write for choirs and, in this intriguing collection, she does so in her own inimitable way. Finnish born but never cowed by Sibelius’s shadow, Saariaho studied with the European avant-garde and found her voice while tinkering with early computers in Pierre Boulez’s Ircam laboratory in Paris. Her opening track,…

Share:
1 50 51 52 53 54 172