Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

+ The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble is coming to Cinéma du Parc on July 29. The movie will be shown in its original English with French subtitles. (French) + Canada’s History Society and Library and Archives Canada team up to explore Canada’s musical legacy with “Sounds Like History” podcast. + Should we cut the classics? The New York Times’ Michael Cooper weighs in about shortening operas. “After several decades in which the trend has been toward longer, uncut operas — drawing on the work of scholars to restore rarely performed passages, and putting a…

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Splitting time between recording Beethoven concertos, directing music festivals, and conducting the Camerata Ireland, which he founded, Irish pianist and composer Barry Douglas is a well-travelled, decorated artist. To “Tiny Desk Concert,” Douglas brings his heritage in the form of Celtic folk songs. Rippling left-hand waves, impish alternating chords, and gossamer trills come together to capture an image of pastoral Ireland from its rugged cliffs, crisp breeze, and sylvan freshness. Barry Douglas – NPR “Tiny Desk Concert”

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On July 6th 1937, Benny Goodman recorded New Orleans swing standard “Sing, Sing, Sing” in Hollywood with his band. Goodman would go on to make this song an anthem of sorts for the Big Band and Swing era. His famous quote goes “‘Sing, Sing, Sing’ (which we started doing back at the Palomar on our second trip there in 1936) was a big thing, and no one-nighter was complete without it.” Benny Goodman – “Sing, Sing, Sing”

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Lila Downs performed last Saturday night at the Métropolis theatre for the Montreal International Jazz Festival. Close to 2,000 fans gathered to see the singer-songwriter and her band perform a repertoire of Mexican rhythms fused with jazz instruments and players. It was precisely because of this capacity for mixing styles, while remaining true to her cultural roots, that she received the 2016 Antonio Carlos Jobim award as “an artist distinguished in the field of world music whose influence on the evolution of jazz and cultural crossover is widely recognized.” These cultural and musical crossovers are an important part of Lila Downs’s…

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+ Read Jeanne Hourez’s review of Nicholas Angelich’s latest release of Liszt, Schumann, and Chopin. (French) + Jacques Lacombe was invited to the Tanglewood Music Festival for the third consecutive year. He will lead the Boston Symphony Orchestra with soloist Joshua Bell on July 8, and Orff’s Carmina Burana on July 9, followed the next day by a concert with the Tanglewood Music Center Orchestra with a program of Tchaikovsky’s Romeo and Juliet and Schumann’s Third Symphony. (French) + 53 years ago today, the Beatles invaded America with “From Me to You.” + In light of the ongoing Montreal Jazz…

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In light of the ongoing Montreal Jazz Festival, here’s a wonderful live performance of the pianist Bobby Timmons’s “Dat Dere” by Art Blakey and the Jazz Messengers. Wayne Shorter on tenor saxophone offers a virtuosic solo spanning the whole instrument’s range and tone palate; Lee Morgan on the trumpet slurs poignant licks; and Timmons brings his usual hard-grooving, crunchy block chords. Add in legendary Jymie Merritt on bass and, of course, Art Blakey on drums and you have a superteam that colours beyond the bounds of the hard bop classic’s lines before the idea of superteams came to be. Art…

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The origin of the moniker “Lennon-McCartney” dates back to a writer credit for a 1963 Del Shannon cover of The Beatle’s tune “From Me to You.” Initially placing 87 on the Billboard Hot 100, “From Me to You” was the first imprint of the British Invasion on the American pop music scene, a scene the Beatles would soon dominate. The song was also the first to be a genuine collaborative composition, as Lennon and McCartney wrote it through a back-and-forth exchange on a bus to a tour in Shrewsbury. Del Shannon — “From Me to You”

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+ Read Wah Keung Chan’s review of Rufus Wainwright’s Prima Donna at the Montreal international Jazz Festival this past weekend. “While there is much to like about Prima Donna, the one-hour concert version presented at Salle Wilfrid-Pelletier also had much wanting. First, a lack of surtitles marred the understanding of the text, even though the libretto is in French, the predominant language of the home-town audience.” + Russian-born Canadian piano pedagogue Marina Geringas has passed away at the age of 77. Geringas taught at both the Royal Conservatory of Music and the University of Toronto. + Jana G. Pruden asks…

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For another American themed video, here’s Russian-born American virtuoso Vladimir Horowitz’ piano transcription of the iconic American bandmaster and composer John Phillip Sousa’s “Stars and Stripes Forever.” 00Horowitz wrote this famously difficult transcription on occasion of his naturalization as an American citizen. Valery Kuleshov – Horowitz’ transcription of Sousa’s “Stars and Stripes Forever”

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For American Independence Day, it seems apt to feature an American themed post. In 1831, the 55th Independence Day, Samuel Francis Smith’s “My Country (‘Tis of Thee),” the defacto anthem for the 19th century, was first sung in Boston by a children’s choir. Earlier that year, a friend had asked Smith to translate German songs that were the basis for “God Save the Queen.” Instead, Smith would pen what he called “America,” later known as “My Country (‘Tis of Thee).” Smith’s original lyrics invoke the muse of America as a “Sweet land of liberty” protected and entreated by God to…

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