Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

+ Read a review of the Carmel Bach festival by Richard S. Ginell. + Schmopera asks, “What else are singers great at?” “What do singers do well? Sing, obviously. But the career comes with plenty of extra skill-building opportunities. Not everyone is a master chef or a DIY pro, but working singers know that making sound with their throat is the tip of the iceberg.” + Lara St. John plays at the Ottawa Chamberfest tonight. Watch her performs songs from Shiksa on NPR Music’s Tiny Desk Concerts as today’s Video of the Day. + This Day in Music July 27, 1877,…

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Probably the most famous Hungarian pianist not named Franz, Pozsony’s Ernő Dohnányi would carve out a prolific career full of virtuosic renown and panache. The young Dohnanyi entered the Budapest conservatory at seventeen to study piano and composition with a student of Liszt and a disciple of Brahms before making his debut a year later. His transcendent keyboard skills would quickly garner him renown in the music world with an elderly Brahms organizing the Vienna Premiere of Dohnányi’s Piano Quintet Opus No. 1. After the conservatory Dohnányi would be greeted with rapturous crowds, almost on par with Liszt’s famously riotous…

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At La Scena, we rather enjoy NPR’s Tiny Desk Concerts because they’re always well curated and quite often line up with what goes on in the festival circuit. Today’s video of the day features Canadian violinist Lara St. John who will be performing later tonight at the Ottawa Chamberfest. Born in London to two educators, St. John began violin at age two and made her orchestral debut two years later. Something of a precocious talent, it could be said. Now forty-years into her career, St. John is now a powerful virtuoso performer and “owner of Ancalagon record label and the…

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+ Sir Roger Norrington is celebrating the unorthodox at the Proms this week. “As a rule, conductors stand on their dignity. They take themselves seriously. They like to be revered. In his own idiosyncratic way, Norrington himself is all three: dignified, serious and revered. But he is also a lot of fun. He wants to connect with his audience. So when his listeners laughed out loud at a musical joke during his performance of a Haydn symphony, he was not offended but delighted.” + Speaking of the Proms, read a review of Vladimir Jurowski and the London Philharmonic Orchestra performing…

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For her widespread influences, Xenia Rubinos’s music defies neatly bound classifications. Now living in Brooklyn, Rubinos draws heavily on her Cuban and Pueto Rican heritage to create a personal brand of experimental soul that explores ideas of race and economic strata. The Afro-Latino jazz grooves are evident as well as indelible inspiration from neo-soul potentate Erykah Badu. Her most recent offering, Black Terry Cat, riffs off hiphop influences and the current political surround to create an exploration of how coloured women fit. The sonic texture finds its roots in the forceful pop hits of Beyonce to the cross-over success of…

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This day in music, we celebrate Angela Hewitt’s birthday. Of a musical family, Angela Hewitt turns fifty-eight today as one of Canada’s and the world’s finest musicians. Hewitt began piano lessons at three before a meteoric rise led to her first full-length recital at nine with the Royal Conservatory of Toronto. Hewitt’s pivotal success was her capture of Toronto’s 1985 International Bach Piano Competition, held in honour of Glenn Gould. The win garnered not only accolades, but more importantly, led to a relationship with recording company, Deutsche Grammophon. With DG, Hewitt’s recording of English Suite No. 6 launched a legacy…

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Nestled in the Adirondack foothills near the headstreams of the Hudson River, the City of Saratoga Springs in upstate New York was once the dowager empress of America’s great Victorian-era summer resorts, its fame resting on an abundance of fresh, natural mineral springs bubbling up from faults far below the earth’s surface, and alleged to possess restorative powers. Those magical waters still flow from the city’s protected aquifer today; but in a recreational economy that long ago diversified beyond mineral spas – racetrack, casino, restaurants and contending cultural attractions – one ought not overlook another local font whose output springs…

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A shrewd November dusk de-illuminates an opaque door on rue de la Montagne near the corner of boulevard De Maisonneuve at the very heart of Montreal’s circulatory system. A Chinese gong sounds when you open the door and enter The Ten Thousand Things. In the near distance, you hear a piano and a tenor voice murmuring fragments of Leonard Cohen’s “Everybody Knows.” Sugar maple burns in the fireplace, the caramel of freshly roasted coffee sweetens the air. Apricot-coloured lights guide you past the umbrella and coat stands, the white marble counters with their mottlings of black and grey, two gleaming silver and…

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Today’s Daily News Roundup is celebrating Bösendorfer pianos, welcoming a new contributor, and learning how to dress properly for concerts. + Read a review of three performances from the Lincoln Center Festival that featured maverick-turned-music-hero Steve Reich. + The Guardian’s Juanjo Mena explores the seduction of the Alhambra and Andalucían influences on Alberto Ginastera’s works. + La Scena Musicale’s newest contributor Andrew Burn asks if it is a good time to be a cynic. “When I am given the opportunity to speak in front of a group of musicians, I usually conduct an exercise or two. One of my most though-provoking…

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Performing tonight at the Ottawa Chamberfest, the Amarok Ensemble is comprised of three of Canada’s finest young musicians: Brenna Hardy-Kavanagh on violin, Bryan Holt on cello, and Lisa Tahara on piano. The group, formed in 2014, has performed at events as the 2015 St. Lawrence String Quartet Seminar International Showcase in Stanford, CA, the Arts & Letters Club of Toronto and the Health Arts Society of Ontario concert series. Playing as part of the Chamberfest’s “Generation Next” concert heading, the ensemble is also part of the festival’s new Career Development Residency. Amarok will first present the making of a great…

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