Patrick Dillon made his debut as a music journalist in 1997 in the pages of The Globe and Mail. Since then, his articles and reviews have appeared in the Chicago Tribune, American Record Guide, Opera News. Opera Canada, Scherzo in Madrid, Andante in Istanbul, and Total Baroque. A longtime New Yorker, he's lucky to live a mere city block from Lincoln Center.

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«Bien sĂ»r que j’ai dit oui ! C’était une Ă©vidence ! », se souvient Erin Morley, souriante, lorsqu’on lui a proposĂ© une collaboration avec le tĂ©nor Lawrence Brownlee…