Browsing: Opera

+ Alan Fletcher, the CEO of the Aspen music festival in Colorado, asks why great American symphonists are neglected by American orchestras. + From the Archive: Jon Vickers interview from 15 March 1985 in The Guardian. “The foundation on which I stand as an artist is that all art must appeal to the intellect. Then we’re making a contribution to civilisation, to the uplifting of man. But if we chose to indulge ourselves and chase dollars and fame at the expense of artistic integrity, if we smear the line between entertainment and art, we’re in trouble. “And the operatic world…

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20 June 2016 — Sony Classical is proud to announce a long-term exclusive contract with Juan Diego Flórez, one of today’s most prominent stars of the opera and concert stage. The tenor of choice for the world’s leading theatres in the bel canto repertoire and beyond, Juan Diego Flórez’s fluid, expressive singing and dazzling virtuosity have thrilled audiences and critics alike and earned him global acclaim. The Financial Times recently noted: “For a voice of high class and high Cs by the armful, Flórez is your man.” Born in 1973 into a musical family in Lima, Peru, the young singer…

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Welcome to today’s Daily News Roundup, where we celebrate great musicians from home and abroad. Plus, check out a rather large portrait of Beethoven. + Joshua Errett asks what type of music should make up a jazz festival in “If Sarah McLachlan plays a jazz festival, is it still a jazz festival?” for CBC News. + This portrait of Beethoven takes up a million square feet. + Tenor Juan Diego Flórez signed to Sony Classical in an exclusive recording contract. + Dutch bass and Baroque specialist Peter Kooij has received the Bach medal from the city of Leipzig (French).…

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Born on June 20 1819, German-born French composer Jacques Offenbach is particularly known for his operettas. Orpheus in the Underworld and The Tales of Hoffman are still part of today’s repertoire. During Offenbach’s lifetime, Paris’s Opera-Comique was not interested in staging his works and the composer had to rent his own venue and the Champs-Élysées. Watch an excerpt of La Périchole where the title character sings after a few evening drinks.

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Montreal Chamber Music Festival, June 3-19 The pre-festival activities of the Montreal Chamber Music Festival began on February 23, but the festival proper will continue until June 19. Tenor Ben Heppner will be narrating Enoch Arden by Richard Strauss with pianist Stéphane Lemelin (June 18). In the days following see the Goldberg Variations with pianist Simone Dinnerstein (June 15) and the rare opportunity to hear Casals’ cello played by Israeli cellist Amit Peled (June 16). Pollack Hall and Bourgie Hall. www.festivalmontreal.org François Bourassa’s Pianorama In the years following his breakthrough as winner of the Montreal Jazz Festival Competition in…

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Lamèque Baroque Festival Lamèque NB, July 28-30 For its 41st season, Festival Director Vincent Lauzer has organized three remarkable concerts, all to be performed in the breathtaking Sainte-Cécile Church on Petite-Rivière-de-l’Île. On July 28, Lauzer is joined by Alexa Raine-Wright (traverso and recorder), Daniel Lanthier (oboe), François Viault (bassoon), Amanda Keesmaat (cello), and Mélisande McNabney (harpsichord) for an all-winds concert inspired by the winds of the Acadian Peninsula. The second concert celebrates the French music of Leclair, Rameau, and Montéclair and features the winner to the 2015 Mathieu Duguay Early Music Competition, Quebecois soprano Odéi Bilodeau. Bach’s momentous Mass in…

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Better late than never: Rufus Wainwright’s first opera, which premiered in 2009, will at last be performed in Montreal this summer in a concert version as part of the Montreal International Jazz Festival. Born into a family of musicians, Rufus Wainwright was surely destined to follow in the footsteps of his parents, folk singer Kate McGarrigle and singer Loudon Wainwright III. At the age of 13 he was already touring alongside his mother, aunt Anna McGarrigle, and sister Martha, as part of The McGarrigle Sisters and Family, an expanded version of the famous Kate and Anna duo. Nothing in this…

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Saturday night’s world premiere of Les Feluettes was an accomplishment long in the making. A co-commission by Opéra de Montréal and Pacific Opera Victoria, the opera was conceived by Australian composer Kevin March, who saw the English movie adaptation, Lilies, over a decade ago. Set in a men’s prison in the 1950s and 1910s, the story is popular in Quebec through the play by Michel Marc Bouchard. Bishop Jean Bilodeau (tenor Gordon Gietz) visits the prison to hear the last confession of his boyhood friend Simon Doucet, played by baritone Gino Quilico. In a Man of La Mancha-style construction, the all-Canadian, all-male cast of inmates stage…

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War Requiem at the Maison Symphonique Kent Nagano and the OSM with the OSM chorus present Benjamin Britten’s War Requiem May 25 and 28 at 8:00 pm and 29 at 2:30 pm at Maison Symphonique. Soloists include soprano Catherine Naglestad, tenor Ian Bostridge, and baritone Russell Braun, who is replacing Thomas Hampson for health reasons.http://www.osm.ca/en/concert/war-requiem Concours Musical International de Montréal The CMIM kicks off this week with Quarter-final rounds May 23–25, and Semi-final rounds May 27 and 28 at Bourgie Hall. Catch masterclasses with judges Ida Kavafian and Pierre Amoyal on Thursday May 26 at 2:30 pm and 7:30 pm, respectively at the Chapelle Historique…

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Last night’s world premiere of Kristin Norderval’s The Trials of Patricia Isasa at the Monument-National was a resounding success, to say the least. The opera, libretto by Naomi Wallace and dramaturg Bibbi Moslet, is based on the true story of Patricia Isasa, who was only 16 when she was abducted in her hometown of Santa Fe, Argentina by the military Junta without trial. Daringly cerebral, The Trials of Patricia Isasa depicts not the events of her imprisonment itself but Isasa’s reckoning with the past decades later as she tries to find justice for herself as well as the 30,000 other “disappeared.” Presented as part of…

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