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Tim Brady is very single-minded. For six years, he has nurtured his opera about the history of the electric guitar, as personified by its pioneer, Charlie Christian (1916-1942). As a guitarist and composer himself, Brady knew quite well that this story would open the door to those who transcend individuals and borders. The life of Charlie Christian effectively aligns not only with the history of the electric guitar, but with that of jazz, Black musicians, and the Black community as a whole in its struggles against segregation and racism. Instead of limiting himself to one time period or place, Brady…