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Marc Hervieux

Marc Hervieux in Gala Mode: Closing of the 78th MCO Season

By Marie-Claire Fafard-Blais on 6 April 2018 Canadian Music, Classical Music, Musique québécoise, Orchestral

To conclude its 78th season, the McGill Chamber Orchestra presents a gala in the company of tenor Marc Hervieux, its spokesperson for 2017-2018. This huge party on June 6 will have the Rialto resonating with the sound of the singer’s voice, which will be accompanied by his band as well as a string quintet comprising MCO players. The colourful setting of the famous Montreal theater will add a glamorous touch to this musical night. MCO artistic director Boris Brott has only praise for his collaborator: “To have Marc Hervieux as a spokesperson has been almost miraculous for us. We worked…

La Muse: Viva Verdi with Romanian accents

By Marie-Claire Fafard-Blais on 6 April 2018 Canadian Music, Choral, Classical Music, Musique québécoise, Vocal

La Muse choir under the direction of Ioana German, will present its Viva Verdi concert in both Montreal and Ottawa. Supported by sopranos Chantal Dionne, Marina Negruta and Anca Maria Grigoriu; mezzo-soprano Antonela Barnat; tenor Jaime Sandoval; bass Dan Popescu and an orchestra, the choir will perform some of Verdi’s greatest choruses, including excerpts from the Requiem, Il Trovatore, La Traviata and Nabucco. This large-scale concert promises a burst of Verdian joy. Barnat has been a regular singer at the Bucharest State Opera since her debut as Rosina in Rossini’s The Barber of Seville in 2006. She made her debut…

CD Review – Subduction

By Arnaud G. Veydarier on 7 February 2018 Canadian Music, CD and Book Reviews, Classical Music, Contemporary, Musique québécoise

Subduction Julie Thériault, Audiogramme 19075801072 Inspired by geology, the pianist, composer and arranger Julie Thériault last November launched her second album, Subduction. This term refers to the slow and inexorable movement of two overlapping tectonic plates. Seemingly benign, these underground movements can have dramatic effects at the surface. The metaphor is quite appropriate to describe Thériault’s music: the 11 pieces unfold and follow each other slowly and steadily, gradually increasing in dramatic intensity before reaching the cataclysmic paroxysm of the last track, Magma. Thériault’s delicate and serious articulation introduces the main melodies as accompanying instruments appear, thickening the sound as…

CD Review – 1747 : C.P.E. Bach

By Philippe Gervais on 7 February 2018 Baroque and Early, Canadian Music, CD and Book Reviews, Chamber Music, Classical Music, Contemporary, Musique québécoise

1747 : C.P.E. Bach Infusion Baroque, Sonates en trio Wq.145 à 148 et Wq. 150, Leaf Music, 63 min 48 s In 1747, J.S. Bach traveled to Berlin to visit his son Carl Philipp Emanuel. There he composed The Musical Offering, at the heart of which is a trio sonata. This may have inspired C.P.E. In the same year, he reworked several trio sonatas he had written at 17 in collaboration with his father. He offered a modern version, halfway between baroque aesthetics and the new galant style. The Montreal ensemble Infusion Baroque made a wise choice by selecting this seductive repertoire, still…

OPERA MCGILL: LUCIA DI LAMMERMOOR. PHOTO: BRENT CALIS

La Scena Concert Reviews

By La Scena Musicale Team on 6 February 2018 Canadian Music, Classical, Classical Music, Concert Reviews, Contemporary, Musique québécoise

Lucia di Lammermoor 4.5 Stars Opera McGill. Donizetti, Lucia di Lammermoor. Brittany Rae, Marcel d’Entremont, Bryan De Parsia, Jean-Philippe Mc Clish, Amelia Lubrano, Sébastien Comtois, Patrick McGill, Saraha Dufresne. McGill Symphony Orchestra, Stephen Hargreaves, conductor. Direction by Patrick Hansen. Monument National, Jan. 28. Performance 9/10 What you missed: Bumper crop at Opera McGill. Soprano Brittany Rae of Calgary, the third of three Lucias, combined pure tone, brilliant highs, natural acting and a fetching way with a phrase. Mad scenes are not always so believable. Good projection by tenor Marcel d’Entremont as Edgardo. Sturdy Enrico from baritone Bryan De Parsia, a…

PHOTO: FRANCOIS GOUPIL

Orchestre Métropolitain: Hitting the Big Time, Having a Good Time in Europe

By Arthur Kaptainis on 6 February 2018 Canadian Music, Classical Music, Musique québécoise, Orchestral

The year 2017 will be remembered as a great one for Yannick Nézet-Séguin and his Orchestre Métropolitain — even in 2018. Their seven-concert whirlwind tour of Europe, starting in the Dortmund Konzerthaus on Nov. 26 and ending in the Paris Philharmonie on Dec. 3, has been nominated for a Grand Prix by the Conseil des arts de Montréal. The winner will be announced in March. As I noted in a dispatch from Paris, the tour was a success on every level: “Audiences were charmed by the newcomers. Playing standards were high. Above all, the tour was an apotheosis for an…

When Youth Meets the Masters

By Marie-Claire Fafard-Blais on 5 February 2018 Canadian Music, Classical Music, Contemporary, Education, Musique québécoise, Orchestral

This year, the Association des orchestres de jeunes du Québec (AOJQ) presents the 20th edition of its Quebec Festival of Youth Orchestras. The festival allows eight youth orchestras to be matched with four distinguished guest conductors, one of whom is Alain Trudel, who also happens to be the event’s spokesperson. In addition to performing onstage at the Salle André-Mathieu in Laval under the direction of their respective conductors, the orchestras will be grouped in pairs and will receive the guidance of a mentoring musician. They will then present the fruits of their labour during a gala concert held at the…

Udistik Orkestra Crédit: Pierre-Alexandre Saint-Yves.

The Oud: Artistically Bridging Orient and Occident

By Hassan Laghcha on 5 February 2018 Canadian Music, Classical Music, Contemporary, Musique québécoise, Strings

The innovative production company La Nef presents Udistik Orkestra, a concert showcasing the oud – the Oriental lute – and directed by composer, performer and multi-instrumentalist Andrew Wells-Oberegger. The show’s organizers promise a trip across various artistic universes. Concertgoers will be exposed to different currents of Middle-Eastern music, novel rearrangements of Western masterpieces and original compositions by Udistik Orkestra that explore the overlap between Oriental and Occidental traditions, all thanks to the marvelous potentialities of the oud, ancestor of the lute. This is not the only case of cultural intermingling. Wells-Oberegger offers the example of the violin, which has become…

Stella Musica Festival: Empowering Women

By Arnaud G. Veydarier on 4 February 2018 Canadian Music, Classical, Classical Music, Musique québécoise, Vocal

Established in Montreal’s cultural landscape for three years, Stella Musica devotes its programing each year to women in classical music. Although more women are taking on roles traditionally reserved for men, female composers, conductors and performers still often remain in the shadow of their male peers. The pianist and artistic director Katarzyna Musial founded the festival to emphasize the work of female musicians and to encourage young women to pursue music. Thematic Concerts This fourth edition commemorates the 100th anniversary of the 1918 Armistice by presenting concerts revolving around the theme of psychological distress. Music will be explored for…

Infusion Baroque photo Elizabeth Delage

Infusion Baroque: Exploring the Wonders and Mysteries of the Baroque

By Hassan Laghcha on 4 February 2018 Baroque and Early, Canadian Music, Chamber Music, Classical Music, Musique québécoise

Alexa Raine-Wright, Sallynee Amawat, Andrea Stewart and Rona Nadler are rising stars of baroque music. In 2013, the ensemble founded Infusion Baroque because of their common passion for fine-tuning early music. In February 2017, the group launched their first album featuring sonatas by Carl Philipp Emanuel Bach. The 2017-18 season cements their innovative qualities beyond musical performances. Infusion Baroque’s uniqueness lies not only in artistic sensitivity but also in a fondness for musical and historical research. The players present baroque music to new audiences, combining other artistic media with chamber music. This modernization breathes new life into the historical context…

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