The second concert in Konzerthausorchester Berlin’s “Vom Anfangen” (“On Beginnings”) festival featured works that could be described as unfinished in different ways. This superbly-curated evening…
The first new production under Matthias Schulz, freshly installed as Intendant of the Opernhaus Zürich, was an emblematic choice: Strauss and Hofmannsthal’s Der Rosenkavalier (seen Sept.…
The sound of Berlin in the Weimar years is defined by Kurt Weill. More than any other composer, his music for the Bertolt Brecht shows…
