Lebrecht’s Weekly | Allan Pettersson: Barefoot songs (BIS)

1
Advertisement / Publicité

This page is also available in / Cette page est également disponible en: Francais (French)

80%
80%
  • 4
  • User Ratings (1 Votes)
    4.6

Sweden, unlike its neighbours, has no great composer. Norway has Grieg, Finland Sibelius, Denmark Nielsen and Sweden – blank. The one composer who might have filled the role was treated with such disdain by polite society that he lived all his life in grim poverty, never able to afford a piano. Allan Pettersson died aged 68 in 1980, leaving 17 symphonies that are still being slowly discovered. Although the government granted him a lifelong pension in his 50s, the Stockholm Philharmonic banned his music ‘for all time’ after a dispute over touring. Pettersson was working-class and dirt-poor. Sweden did not want to be represented by his music.

Of his originality there can be no question. The Hungarian exile conductor Antal Dorati was a noted enthusiast, making a powerful orchestral version of the Barefoot Songs, which are perhaps Pettersson’s most intimate and personal expression. Written between 1943 and 1945, when supposedly neutral Sweden was supplying Hitler’s war machine, the songs share the bleak scenery of Schubert’s Winterreise, along with a line or two of its lyrics. Pettersson, the outsider, turned inward like Schubert to a moral winter where only gritted teeth could sustain life. The songs, wistful and gentle, build incrementally into a portrait of loneliness, unrelieved by faith in anything greater than the power of music.

Advertisement / Publicité

The baritone Peter Mattei, with pianist Bengt-Ake Lundin, interpret not just the songs but the silence between them as a testament in artistic compassion. Truly worth hearing.

NL

This page is also available in / Cette page est également disponible en: Francais (French)

Share:

About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

1 Comment

  1. Pingback: How Sweden lost a great composer - Slipped DiscSlipped Disc - trazodonetab

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.