April 21, 2022, MONTREAL – On May 3rd at 7 PM, 2022, artists from all walks of life will unite their voices on stage at Centaur Theatre in support of the besieged and exiled Ukrainian dramaturgs and theatre artists.
Voices From Ukraine is an evening of staged readings to benefit Voices of Children and the Ukrainian Emergency Art Fund – two non-profit organisations who are working on the ground during the current Russian invasion of Ukraine.
Hosted by actor Charles Bender and playwright Michel Marc Bouchard, the bilingual event will feature work from contemporary Ukrainian playwrights whose stories help us understand, connect, and respond to the current crisis.
Admission is free and reservations are recommended.
Donations can be sent to:
Since the invasion of Ukrainian territory on February 24th, theatres and cultural institutions have been silenced. Numerous historic venues, including the Grand Theatre in Mariupol, have sustained heavy bombardment costing innumerable human lives.
The excerpts to be read will bear witness to the indestructible love for one’s homeland, and of the treacherous yet resilient road to freedom – tales of recent struggles and of the Chernobyl disaster, the invasion of Crimea, the Maïdan revolution, and of the war for Donbas.
Says Bouchard, “These excerpts illustrate fratricidal wars, the complex nature of politics, the rending of family ties, and of unending grief. Yet, they will also prove that above all there is still hope for love in this sea of hate. Beyond the money raised for Voices of Children and the Ukrainian Emergency Arts Fund, we will use the night to respond to their most fervent cry: ‘Tell the world our culture exists! This alone can make us immortal!’. On May 3rd, their voices will sound louder than any bomb!”
Excerpts will be read from the following plays:
AT THE BEGINNING AND END OF TIME by Pavlo Arie (2013)
In the irradiated Chernobyl exclusion zone, paradoxically, nature has reclaimed its rights and certain irreducible truths are maintained despite any ukaz or government edict. There survives, in spite of everything and everyone, Baba Prissia, a foul mouthed and rebellious grandmother; a bit of a healer, a bit of a witch.
THE GOSPELS ACCORDING TO LUCIFER by Anna Bagriana (2007)
A sublime vision of religion, simultaneously erotic and outlawed, imagined and political, the last bastion of sense within illusions.
A DICTIONARY OF EMOTIONS IN WAR TIME by Yelena Astasyeva (2022)
A contemporary lexicon of words currently used by civilians during wartime.
THE LOST FUGITIVES by Neda Nejdana (2012)
The Lost Fugitives tells the story of a little community with a broken destiny. Men and women living in the Chernobyl exclusion zone. A piece of theatre with the allure of fables. A lucid fairy tale, without concessions. With fantastical escapes. Between dream and nightmare. Between the lightness of waking and the depths of sleep.
BAD ROADS by Natalya Vorozhbyt (2017)
In the farthest flung and remote regions of Ukraine, a war rages. A journalist makes a voyage of discovery to the front lines. Teenagers wait for soldiers on a bench. A medic cries for her lover, killed in an operation. Six fragments on the subject of the tender relationships between men and women, thrown together on the broken down roads of Donbass.
I WANT TO GO HOME by Oksana Savchenko (2022)
A Ukrainian refugee struggles with the emotional aftermath of having left family members and her country in order to escape the war.
PLANTING AN APPLE TREE by Iryna Garets (2022)
A Ukrainian grandmother during the Russian invasion tends to her orchard while mourning the loss of her children and grandchildren.
PAPER BOY by Vitaly Bilozir (2022)
A love poem between two boys, written by one of the youngest and brightest poets in Ukraine.
The organisers would like to highlight the extraordinary generosity of Mario Mercier from COMPAGNIE et Cie, Rostyslav Nyemtsev, Publicité Sauvage, Studio littéraire ukrainien, John Freedman, Philip Arnoult, The Center for International Theatre Development and the staff at Centaur Theatre and Imago Theatre.
Read more about Centaur Theatre’s safety protocols.