Off the Record

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September

Benjamin Deschamps: No Codes (Disques MCM).

Launch on Friday Sept. 21, Dièse Onze.

 

 

Hard Rubber Orchestra: Suite for Hard Rubber Orchestra by Kenny Wheeler (his last work)

 

 

 

Justin Time). Vancouver orchestra featuring guest vocalist Norma Winstone.

Cécile McLorin SalvanT: The Window (Justin Time).

October

Marianne Trudel AND Karen Young: Portraits: The Songs of Joanie Mitchell (artist released). Concert launch at l’Astral, Friday Oct. 26. Crowdfunding campaign, see piano@mariannetrudel.com.

October and November

Disques Effendi

Jazz Lab: Quintessence (Music by Félix Stüssi).

Rafael Zaldivar: Cuban Revival (Title subject to change).

December

Ambiances magnétiques

Record launch party, Tuesday Dec. 4.

Danielle Palardy Roger: Cannibale

Jean Derome: Sudoku pour Pygmées

Lori Freedman: Solor

Monicker Trio (Sc0tt. Thomson, Arthur.Bull, Roger Turner)

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About Author

Marc Chénard is a Montreal-based multilingual music journalist specialized in jazz and improvised music. In a career now spanning some 30 years, he has published a wide array of articles and essays, mainly in Canada, some in the United States and several in Europe (France, Belgium, Germany and Austria). He has travelled extensively to cover major festivals in cities as varied as Vancouver and Chicago, Paris and Berlin, Vienna and Copenhagen. He has been the jazz editor and a special features writer for La Scena Musicale since 2002; currently, he also contributes to Point of Departure, an American online journal devoted to creative musics. / / Marc Chénard est un journaliste multilingue de métier de Montréal spécialisé en jazz et en musiques improvisées. En plus de 30 ans de carrière, ses reportages, critiques et essais ont été publiés principalement au Canada, parfois aux États-Unis mais également dans plusieurs pays européens (France, Belgique, Allemagne, Autriche). De plus, il a été invité à couvrir plusieurs festivals étrangers de renom, tant en Amérique (Vancouver, Chicago) que Outre-Atlantique (Paris, Berlin, Vienne et Copenhangue). Depuis 2012, il agit comme rédacteur atitré de la section jazz de La Scena Musicale; en 2013, il entame une collabortion auprès de la publication américaine Point of Departure, celle-ci dédiée aux musiques créatives de notre temps.

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