La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973
Pianist Shirley Wu has been keeping up with this year’s CMIM Piano Edition, and shares her reflections on the semi-final performance. Finalists have been announced, and will perform on May 15th and 16th.
Following a highly intense Semifinal, the emotion was palpable as the six finalists of the Concours musical international de Montréal (CMIM) were revealed tonight at Salle Bourgie.
The 47th Eckhardt-Gramatté National Music Competition (E-Gré) for the performance of Canadian and contemporary music is pleased to announce its 2024 prize winners.
In this week’s news highlights: there’s a shuffle going on with women conductors in Canada; Canadians in Oper Frankfurt’s 24-25 season; Beethoven #9 at 200
I am starting to think that Grazyna Bacewicz might be the next Mieczyslaw Weinberg. Bacewicz trod water under Polish Communism and saw her music eclipsed by the authorised forces of Lutoslawski and Penderecki.
The event will feature the acclaimed composer and conductor John Rutter, CBE, leading his iconic “Magnificat,” and the world premiere of his latest work, “Celebration.”
Canadian stars at Royal Ballet and Opera in 24-25; Dudamel opens up about leaving Paris Opera; Rosemary Thomson returns to conduct after being ousted.
On May 30, audiences at Bourgie Hall will hear new works by three female composers, created in partnership with three female librettists.
Bourgie Hall of the Montreal Museum of Fine Arts is delighted to unveil its 2024-2025 season.
“Brilliant Bach” attracted a near capacity audience to George Weston Hall. TSO concertmaster Jonathan Crow led the ensemble.
