Browsing: Opera

Today’s Daily News Roundup responds to the questions “Where have the great composers gone?” Plus presidential operas, Norman Lebrecht’s latest, and more. + Soap opera or operatic tragedy? Schmopera’s Jenna Douglas evaluates the hypothetical operas of the 2016 American Presidential election. + Susanna Eastburn, a chief executive of Sound and Music and a champion of new music, responds to Philip Clark’s editorial “Where have the great composers gone?” “It’s necessary to acknowledge that the world is different from even 10 years ago, let alone the 20th century. We underestimate the disruptive societal impact of digital technology. Most obviously, access to…

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Today’s Daily News Roundup is wondering where the great British composers went. Plus a new appointment to the NAC, reviews, and more. + Veteran arts manager Heather Gibson has been named the head of the Canadian music series NAC Presents. + Philip Clark asks in The Guardian, “Where have the great [British] composers gone?” “There’s nothing unassuming about the BBC Proms, which launched its 2016 season last week, but the playbill of modern composition on offer again raises questions about where all those composers with real cultural weight, and a corresponding degree of mainstream visibility, might have gone. With all due…

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Here is your Daily News Roundup megapost for July 13 to 15. We apologize that the website experienced some turbulence during that period – we are working tirelessly to fix issues as they arise! + La Scena Musicale is launching its 2015–16 fundraising campaign. Learn what you can do to help here. + Read Norman Lebrecht’s weekly album review. This week he critiques a disc of Polish violin concertos performed by Piotr Plawner and the Kammersymphonie Berlin. “Piotr Plawner is a dexterous soloist and the Kammersymphonie Berlin offer decent accompaniment, but the interpretations are safe and somewhat anonymous. Compare the Panufnik…

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+ Canadian violinist and winner of the OSM’s Manulife Competition in 2004, Nikki Chooi has been named the new concertmaster of the Metropolitan Opera. + China’s Cultural Revolution made listening to Beethoven a political crime, but half a century later, the relationship between Chinese people and western classical music has evolved in unpredictable ways. “When it comes to ways of listening, the Chinese have long been open to other cultures and to change – not in a revolutionary way, but through a process that builds on its long musical tradition.” + Video of the Day: Lullabies with Alessio Bax on…

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+ The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble is coming to Cinéma du Parc on July 29. The movie will be shown in its original English with French subtitles. (French) + Canada’s History Society and Library and Archives Canada team up to explore Canada’s musical legacy with “Sounds Like History” podcast. + Should we cut the classics? The New York Times’ Michael Cooper weighs in about shortening operas. “After several decades in which the trend has been toward longer, uncut operas — drawing on the work of scholars to restore rarely performed passages, and putting a…

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+ Read Wah Keung Chan’s review of Rufus Wainwright’s Prima Donna at the Montreal international Jazz Festival this past weekend. “While there is much to like about Prima Donna, the one-hour concert version presented at Salle Wilfrid-Pelletier also had much wanting. First, a lack of surtitles marred the understanding of the text, even though the libretto is in French, the predominant language of the home-town audience.” + Russian-born Canadian piano pedagogue Marina Geringas has passed away at the age of 77. Geringas taught at both the Royal Conservatory of Music and the University of Toronto. + Jana G. Pruden asks…

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+ The marriage between text and music in contemporary opera is more important than ever, says William Littler, citing Fellow Travelers (Cincinnati Opera) and Les Feluettes (Opéra de Montréal) as recent examples. “Perhaps today, more than at any other time in the recent past, librettists are coming into their own as something approaching full partners with composers in the creation of successful opera. And tied to this development is the heightened importance in an age of film and television of casting singers who can give visual credibility to their roles. Tenor Aaron Blake and baritone Joseph Lattanzi both looked and…

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+ Andris Nelsons has pulled out of a production of Parsifal that opens the Bayreuth Festival. “Owing to a differing approach in various matters, the atmosphere at this year’s Bayreuth Festival did not develop in a mutually comfortable way for all parties,” said a written statement that was issued on behalf of Mr. Nelsons and his management team, Konzertdirektion Schmid. + Long-time proponent of new new music, violinist Anahid Ajemian has passed away at the age of 92. + His Excellency the Right Honourable David Johnston, Governor General of Canada announced 113 new appointments to the Order of Canada. See…

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+ A CD review of English composer Granville Bantock’s epic late-Romantic oratorio Omar Khayyam, re-released from the 1979 Lyrita version with the BBC orchestra and chorus under Norman Del Mar. + The results of the Seventh Cliburn International Amateur Piano Competition, held in Fort Worth TX, are in. + David Lang talks with The Guardian’s Kate Molleson about writing music for memorials. A classic daunting Lang commission: construct exactly the right music for collective remembrance. “Right,” he nods, but he doesn’t look daunted. “How to write something that seems ancient, like a kind of music whose origins we don’t question.…

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29 June 2016 – Mr. Bernard Stotland, Chairman of the Board of directors of the Opéra de Montréal is pleased to announce the appointment of Mr. Patrick Corrigan as General Director of the company. Mr. Corrigan, who currently is the CEO of Pacific Opera Victoria (POV), will take over the position next September. He will succeed Mr. Pierre Dufour, who has been with the Opéra de Montréal for 16 years. Originally from Montréal and bilingual, Patrick Corrigan has over 25 years of experience in the musical field, including 16 years as a member of the management team of POV, where…

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