Vocal - my/maSCENA

Browsing: Vocal

Chor Leoni. Photo: Emily Cooper

Review | Christmas with Chor Leoni Brings Holiday Magic to the Heart of Vancouver

By Kaitlyn Chan on 20 December 2024 Choral, Classical Music, Concert Reviews, Piano, Strings, Vancouver, Violin, Vocal

Amidst the bustle of the holiday season, Chor Leoni ushered audience members into the serene atmosphere of St. Andrew’s-Wesley United Church for their annual Christmas concert on Dec 19. The space was lit with reds, blues, and purples while golden lanterns hung from the ceiling. The beauty of the church was highlighted under this unique lighting, creating an almost fantasy effect within the large arches. Lighting designer Keagan Elrick had set the stage for the magical evening welcoming Chor Leoni’s largest-ever opening night audience. The first song of the evening was “The Long Night” arranged by founding member, Artistic Director,…

Orchestre classique de Montréal presents Handel's Messiah in Saint Joseph’s Oratory. Photo: Tam Photography

Review | Orchestre classique de Montréal’s Warm & Welcoming Messiah

By Amanda Wong on 15 December 2024 Baroque and Early, Choral, Concert Reviews, La Scena Online, Montreal, Vocal

As the holidays approach, George Frideric Handel’s Messiah begins to line concert programs around the world—and so, Orchestre classique de Montréal presents its annual performance of the great oratorio in one of the city’s most fitting venues: Saint Joseph’s Oratory. There, OCM, Filles de L’île women’s choir, Chantres Musiciens men’s choir, and four Canadian soloists presented 44 movements from the original piece under the baton of Israeli-French conductor Roï Azoulay. Though originally written for Easter, the English oratorio has become synonymous with Christmas. It details the birth and death and resurrection of Jesus Christ despite the fact the majority of…

Review | Maria is a Complex Cinematic Traversal of Callas’s Last Days

By Gianmarco Segato on 12 December 2024 Film, Opera

For fans of the legendary opera diva Maria Callas, it feels like rumours of a major film based on her life have been swirling for years. As with any heavily-invested fan base, knives were flying before anyone had even seen it and there was a hew and cry when Angelina Jolie was announced to star. Finally the wait is over, and though not perfect, Pablo Larrain’s Maria is a compelling, visually-stunning, auteur take on Callas’s final days in Paris. What immediately stands out is the care taken to replicate Callas’s late 1970s look: outrageous bejeweled capes, appliqued fur coats and…

OM Messiah. Yannick Nézet-Séguin, Anna-Sophie Neher, Emily D'Angelo. Photo: François Goupil – Orchestre Métropolitain

Review | Yannick’s Messiah Vibrates Montreal’s Notre-Dame Basilica

By Wah Keung Chan on 10 December 2024 Baroque and Early, Choral, Concert Reviews, La Scena Online, Montreal, Vocal

Performances of Handel’s Messiah at Montreal’s Notre-Dame Basilica had been an annual tradition of the Montreal Symphony Orchestra up until about 12 years ago when its artistic director Kent Nagano did away with Handel in favour of Bach. Orchestre Métropolitain (OM)’s artistic director Yannick Nézet-Séguin grew up with this tradition as he announced before the concert from the stage, and this is the second year in a row that OM has presented Messiah at the Basilica to a full house. Nézet-Séguin hinted that this will become a tradition, so hopefully, it will be an annual event. What you missed? Dec.…

Photo: Alice Pennefather/Royal Ballet and Ken Howard/Metropolitan Opera

Royal Ballet and Opera and The Metropolitan Opera Join Forces with New Cinema Collaboration

By Newswire on 5 December 2024 Dance, Newswire, Opera

For the first time, the Royal Ballet and Opera and The Metropolitan Opera are joining forces for their cinema seasons on their respective home turfs, giving more audiences in both the UK and US the opportunity to see much loved opera and ballet productions from each world-leading company. The first-of-its kind collaboration will increase the reach of each company to hundreds more cinemas in new markets. As a result of this partnership, RBO’s cinema partner Trafalgar Releasing will broadcast The Met’s Il Barbiere di Siviglia to a larger number of screens in the UK than are currently carrying the Met, while Fathom, the Met Opera’s cinema partner in…

Barbara Hannigan and Bertrand Chamayou. Photo: Luciano Romano

Review | Barbara Hannigan Pulls Out All the Stops at Toronto’s Koerner Hall

By Gianmarco Segato on 29 November 2024 Classical Music, Concert Reviews, Piano, Toronto, Vocal

Canadian soprano and 20/21st-century specialist extraordinaire, Barbara Hannigan, appeared at Toronto’s Koerner Hall on Nov. 28 with French pianist Bertrand Chamayou in a program they are currently touring across North America. This uncompromising, tightly-constructed 70 minute recital demonstrated why Hannigan is the current queen of ‘non-traditional’ vocal repertoire. The evening opened with French composer Olivier Messiaen’s song cycle, Chants de terre et de ciel (1938). The text is the composer’s own and is his customary mix of fervent Catholicism combined with love for family. The opening song, “Bail avec Mi (pour ma femme),” celebrates the contract between husband and wife.…

Photo: Tam Photography

Review | Gala Talent: In Search of Vocal Treasures

By La Scena Musicale Team on 27 November 2024 Concert Reviews, Opera

On Wednesday December 20, Opéra de Montréal presented its Talent Gala, featuring 11 finalists in the company’s annual Atelier lyrique entrance competition. Adrian Rodriguez, Justin Bernard and Wah Keung Chan attended this decisive final for the future careers of these young artists. Here are their impressions. Heidi Duncan, soprano AR: A great all-around talent with a beautiful mastery of her middle voice. – Adrian JB: Solid technique, but lacking the vocal personality that makes her stand out. – Justin Tessa Fackelmann, mezzo-soprano Ready to embark on a full-on operatic career. Her large lyric mezzo voice effortlessly filled the acoustically challenging…

Kateřina Kněžíková (Vixen) National Theatre Brno’s The Cunning Little Vixen. Photo: Marek Olbrzymek

Review | An Over Full Cunning Little Vixen at Janáček Brno Festival

By Gianmarco Segato on 26 November 2024 Concert Reviews, Opera

The 2024 Janáček Brno Festival closed on Nov. 24 with a revival of National Theatre Brno’s 2018 production of Janáček’s 1924 opera, The Cunning Little Vixen. Set in Brno’s historic Dagmar Children’s Home for abandoned children, company artistic director Jiří Heřman’s vision is inventive, but insufficiently focused. Too many competing visual and dramaturgical elements distract from the original story’s life-affirming message. At the start, we see period photos of the original care home’s functionalist edifice which are echoed in the clean lines and round window of the set. Children are everywhere, running on and off stage pushing wooden animal toys…

Eliška Gattringerová (Foreign Princess) & Jana Šrejma Kačírková (Rusalka) in Rusalka at Janáček Brno Festival

Review | Rusalka on the verge at Janáček Brno Festival

By Gianmarco Segato on 25 November 2024 Concert Reviews, Opera

Years that end in a four have a special significance in the Czech Republic as a cause to celebrate their national musical heritage with a ‘year of Czech music’. The Janáček Brno Festival therefore extended its umbrella this year to include works by other Czech greats like Antonín Dvořák. His opera Rusalka was seen on Nov. 23 in a production by David Radok that premiered earlier this year at the festival’s hometown National Theatre of Brno. This deeply psychological interpretation exchanged the opera’s traditional, fairy tale associations for an adult story centred around problematic relationships. Czech director Radok, who also…

Sarah Dufresne (Ophélie). Photo: Vivien Gaumand

Review | Opéra de Montréal: Hamlet or Ophélie’s Triumph

By Justin Bernard on 21 November 2024 Concert Reviews, Opera, Romantic

On Nov. 16, Opéra de Montréal (OdeM) took up the challenge of presenting a little-known work from the French repertoire for the first time in its recent history. Of the entire production, conductor Jacques Lacombe was the only one to have performed it before. It sure speaks for the rarity of this Hamlet by Ambroise Thomas. But what a discovery, what an abundance of musical themes, what genius of orchestration! Without analysing the score in detail, we can legitimately be enthusiastic about the saxophone solo at the start of Act II, Scene 2, a gesture as astonishing as it is…

1 2 3 … 107 Next

Current Issue

PDF HTML

Next Issue : February/March

Ad Deadline : January 24, 2025

Past Issues, Subscriptions, Advertising