Browsing: Piano

– Disclaimer: this review was written without knowledge of the jury’s selection of finalists Chamber recitals shed a completely different light on a pianist’s personality than do solo performances. No hiding behind quickfire finger work, extravagant forte passages, or sappy melodies. Playing with other musicians requires the ability to listen to another part while managing your own, to share the spotlight at all times during ensemble work, and to provide the necessary rhythmic and harmonic stability, especially in the bass. A piano and cello duo is tricky: the cello’s tessitura covers the middlemost part of the piano’s range, which is…

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On October 20, the final auditions of the 19th International Fryderyk Chopin Piano Competition came to an end. The 17-member jury, chaired by Garrick Ohlsson, awarded the following prizes: MAIN PRIZES: 1st Prize – Eric Lu (USA) 2nd Prize – Kevin Chen (Canada) 3rd Prize – Zitong Wang (China) 4th Prize – Tianyao Lyu (China); Shiori Kuwahara (Japan) 5th Prize – Piotr Alexewicz (Poland); Vincent Ong (Malaysia) 6th Prize – William Yang (USA) SPECIAL PRIZES: Polish Radio Award for the best performance of Mazurkas – Jehuda Prokopowicz (Poland) Warsaw Philharmonic Award for the best performance of a Concerto – Tianyao…

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Here was a ghost of Christmas Future for the finalists of the International Chopin Competition currently battling it out in Warsaw. Since his victory at the 2021 Competition, the Paris-born Canadian Bruce Liu has been conquering some of the most prestigious stages of the world—including a BBC Proms appearance this summer. And for 2025-26 he adds the feather of TSO Spotlight Artist to his cap.  For his first concert of the new season, Liu chose a Mozart concerto rather than a virtuoso blockbuster. That comes as little surprise. Chopin’s well-known love of Mozart is one connection. Also, since his Chopin…

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A search for the complete artist starts with a complete program. To demonstrate “completeness,” a 60-minute program should carefully balance the emotional, intellectual, analytical, and colouristic dimensions of music. Like sediments under the surface of the earth, the chosen repertoire must allow each performer to reach far below the topmost strata into the depths of the human psyche. Yet, the freedom given to participants in the Honens International Piano Competition to choose their own repertoire is comparable to a Trojan horse. Gifted with the opportunity to present your best self, your repertoire may reveal you as unidimensional compared to a…

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The Honens International Piano Competition looks for the complete artist. Not the complete pianist. Not the fastest horse on the track, nor the biggest shark in the ocean. One, complete, versatile, modern artist. This sets the tone for the event, festival, masterclasses, and piano lab held in Calgary, Alberta, between October 15 and 24 this year. Calgary is Canada’s flagship rodeo town, respected even in Texas as I’ve heard firsthand, which is saying much. Occurring every three years since its inaugural 1992 edition, the Honens has become “one of two cultural events that have put Calgary on the map” according…

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The first verse in Schubert’s Winterreise is in the past tense: “I came here as a stranger, and as a stranger I leave again.” But on Oct. 16 at Koerner Hall, baritone Matthias Goerne performed it in the present, if not the future: restlessly shifting his gaze, then his whole body, to left and right, he compelled his audience into the moment, as if to project not so much resignation to Fate as an anxious search to escape it. And it is that anxiety that became the fixation of the 23 remaining poems. For a while it seemed that Goerne’s…

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As we approach the final stage of the international Chopin Competition, Canadian Kevin Chen is a competitor to follow. At only 20 years old, Chen is one of the competition’s youngest participants. He is a celebrated pianist throughout Canada and internationally, having won the Canadian Music Competition (CMC), the Franz Liszt Competition, the 2022 Geneva Competition and, recently, the 2023 Arthur Rubinstein Piano Master Competition.  Though Chen now resides in Hanover, Germany while he pursues his studies at Hochschule für Musik, Theater und Medien Hannover, he is a native of Alberta and has performed with the Edmonton Symphony Orchestra, the…

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About two decades ago, I had the privilege of attending a recital of the world-renowned violinist Ida Haendal at Place des Arts. Despite her world–renowned, even legendary status, the recital hall was barely half full, and some said the general prognosis for recitals as a viable practice was somewhat bleak. How heartwarming, then, that on last Thursday, Oct. 2, there were barely any seats left in spacious Bourgie Hall, as an eager audience soaked up the Montreal solo recital debut of Norwegian pianist Leif Ove Andsnes. This marked only the third time he has played in Montreal in his 35-year…

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Pianist Samuel Lauzon-Schnittka suggests that music fosters deep human connection. Whether between collaborative partners, the performer and their audience, or the composer and the interpreter, Lauzon-Schnittka recognizes the many different ways in which music allows us to truly see one another. This is perhaps why he says that honesty—or authenticity—is the quality he most looks for in an artist. Two of Lauzon-Schnittka’s most impactful musical experiences exhibit the connective power of music. Firstly, the pianist says that developing a deep and stimulating musical relationship with his duet partner, violinist Amellie Gendron, has resulted in rewarding work. The two have collaborated…

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At the 2025 Eckhardt-Grammatté National Music Competition, pianist Linda Ruan won First Prize and Best Performance of the Commissioned Work: “where poppies still bloom and fall” by Rita Ueda. She played an almost entirely female program featuring works by composers Elisenda Fabregas, Alice Ping Yee Ho, Ann Southam, Vincent Ho, Rita Ueda, and Keiko Devaux. This competition allowed her to develop new performance skills aside from technical ability. “For instance,” she says, “I thought a lot about body movements and physicality in [Vincent Ho’s] J6ker, which eventually led to the maniacal and hysterical laugh at its conclusion.” This ability to…

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