Browsing: Piano

Toronto – The Canadian Opera Company welcomes Elisabeta Cojocaru and Kimly Mengyin Wang to the company’s Ensemble Studio as pianist coaches for the 2025/2026 season. Cojocaru is currently a pianist with McGill-Université de Montréal Vocal Arts Residency who has recently participated in festivals across North America and Europe including l’Académie vocale internationale de Lachine in Montréal, SongFest in Nashville, Opera Nuova in Edmonton, and Exzellenz Labor Oper in Germany. Wang’s extensive career spans solo recitals, chamber music, and opera performances across North America, Europe, and China; recently she served as a vocal coach at the Boston University Tanglewood Institute and as a répétiteur for opera productions at the Boston University Opera Institute.…

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Montreal, February 18, 2025 – The Opéra de Montréal is proud to announce the newest members of the Atelier lyrique de l’Opéra de Montréal, selected following the National Auditions finals at the annual Talent Gala on November 20. This year marks a significant milestone for the internationally renowned professional development residency with the introduction of a specialized training program for stage directors. The 2024 cohort will welcome five singers, one pianist, and one stage director for an intensive one- to two-year training program. – Tessa Fackelmann (mezzo-soprano – ON) – Ellita Gagner (mezzo-soprano – ON) – Colin Mackey (baritone -…

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A German-born baritone like Benjamin Appl is certainly no stranger to Schubert’s work. I can only assume that the Austrian composer’s impressive list of over 600 songs offer much to Appl’s repertoire, who himself is largely a Lieder singer. Accompanied by American pianist Eric Lu, Appl presented Schubert’s Schwanengesang—his ‘swan songs’—as well as Beethoven’s song collection, An die ferne Geliebte (To the Distant Beloved), at Montreal’s Bourgie Hall on Feb. 13.   What you missed Though one’s swan song is typically a final piece or performance before retirement or death, Schubert’s Schwanengesang is a collection of Lieder compiled and shared by…

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It is a rare and special concert when one senses that not only the performer, but the composer, is on stage. On February 4 at Bourgie Hall, Louis Lortie played a wealth of Ravel’s piano works, from the iconic Pavane pour une infante défunte to the highly intricate Gaspard de la nuit. He played each piece with such stunning clarity it seemed as though Ravel himself was onstage with Lortie, calmly listening to his own pieces being played just as he would have wanted them to be. What you missed: Lortie’s playing is particularly striking in its attention to the…

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Winter has been in full swing this past week and with it, the fourth edition of Orchestre symphonique de Laval (OSL)’s Festival classique hivernal. The festival’s aptly titled second concert, Nordic Mosaic, consisted entirely of music composed north of latitude 45 (Feb. 1 at Salle André Mathieu). The program followed a standard format, with the commanding Jean-Marie Zeitouni at the helm delivering a shorter symphonic work (Jacques Hétu’s Legendes, op. 76), and a concerto (Edward Grieg’s famous one for piano and orchestra op. 16). The second half was dedicated to Jean Sibelius’ Symphony, No. 5 in E-flat Major, op. 82.…

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To cellist Noémie Raymond-Friset, music is just as much about heart as it is about technique. For her, the cello is a means of forging profound connections—with collaborators, audiences, and even communities worlds away. Born to music-loving parents who filled her early life with the sounds of Bach suites, Raymond-Friset picked up the violin at the age of four. But it was the cello that resonated with her three years later. “I found my instrument,” she recalls. “Something about the tone, the sound, and the register really spoke to me.” In her early career, mentors like violinist superstars Midori and…

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What links French Impressionist composer Maurice Ravel with the Venice Biennale and American minimalist composer Steve Reich? Their association might seem tenuous, but they are intriguingly brought together in French-Albanian artist Anri Sala’s work Ravel Ravel Interval, currently exhibited at the Montreal Museum of Fine Arts (MMFA). La Scena Musicale interviewed Assistant Curator of International Modern and Contemporary Art, Alexandrine Théorêt, to help us untangle the knots in this singular work. Acquired by patron Pierre Bourgie and pledged to the MMFA, Ravel Ravel Interval commemorates the 150th anniversary of the birth of Maurice Ravel (1875–1937). The 2024–2025 season also marks the…

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Amidst the bustle of the holiday season, Chor Leoni ushered audience members into the serene atmosphere of St. Andrew’s-Wesley United Church for their annual Christmas concert on Dec 19. The space was lit with reds, blues, and purples while golden lanterns hung from the ceiling. The beauty of the church was highlighted under this unique lighting, creating an almost fantasy effect within the large arches. Lighting designer Keagan Elrick had set the stage for the magical evening welcoming Chor Leoni’s largest-ever opening night audience. The first song of the evening was “The Long Night” arranged by founding member, Artistic Director,…

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Calgary, AB, December 17, 2024 — Fifty-one pianists representing 19 countries (country of origin and residence) have been chosen to compete in the Quarterfinals of Canada’s 11th Honens International Piano Competition, one of the world’s most prestigious events of its kind. The Applicant Screening Jury evaluated 149 candidate submissions—a 15 per cent increase from the most recent Competition in 2022—based on proposed Competition programming, experience relative to age, and confidential reference letters. There were 29 countries represented among the 149 applicants. The 51 talented pianists who have been selected as Quarterfinalists—one more than the usual 50, owing to a tie—will participate in…

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In an unfortunate incident on December 11, celebrated British cellist Sheku Kanneh-Mason was denied boarding on an Air Canada flight with his cello. This resulted in him and his sister, pianist Isata Kanneh-Mason, missing a sold-out concert at The Royal Conservatory of Music’s Koerner Hall, which was to take place that evening. The Kanneh-Masons issued the following statement on December 11: Dear everyone, We are deeply sad to not be able to perform for you this evening. We had severe misfortune with the flights today, including a cancelled flight and denial of boarding with cello on another. We really value all of your…

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