Browsing: Classical Music

For Valentine’s Day, Les Violons du Roy presented a program full of pathos at Montreal’s Bourgie Hall. On the program were iconic excerpts from J.S Bach’s religious choral works, as well as the rip-roaring premiere of Found in Lostness, a piece for solo violin and string orchestra by Canadian composer Kelly-Marie Murphy. Bach and Murphy couldn’t be more different; the disparateness of their music was tied together with two Mendelssohn pieces. Mendelssohn’s earliest piece, the Symphonia for Strings composed when he was 14 years old, started off the concert. His last complete work, String Quartet no. 6 in F minor,…

Share:

Toronto – The Canadian Opera Company welcomes Elisabeta Cojocaru and Kimly Mengyin Wang to the company’s Ensemble Studio as pianist coaches for the 2025/2026 season. Cojocaru is currently a pianist with McGill-Université de Montréal Vocal Arts Residency who has recently participated in festivals across North America and Europe including l’Académie vocale internationale de Lachine in Montréal, SongFest in Nashville, Opera Nuova in Edmonton, and Exzellenz Labor Oper in Germany. Wang’s extensive career spans solo recitals, chamber music, and opera performances across North America, Europe, and China; recently she served as a vocal coach at the Boston University Tanglewood Institute and as a répétiteur for opera productions at the Boston University Opera Institute.…

Share:

Montreal, February 18, 2025 – The Opéra de Montréal is proud to announce the newest members of the Atelier lyrique de l’Opéra de Montréal, selected following the National Auditions finals at the annual Talent Gala on November 20. This year marks a significant milestone for the internationally renowned professional development residency with the introduction of a specialized training program for stage directors. The 2024 cohort will welcome five singers, one pianist, and one stage director for an intensive one- to two-year training program. – Tessa Fackelmann (mezzo-soprano – ON) – Ellita Gagner (mezzo-soprano – ON) – Colin Mackey (baritone -…

Share:

Montréal, February 10, 2025 — Held over 24 days in the Longueuil urban agglomeration and also in Montréal, Festival Classica has since 2011 provided top-quality programming both in ticketed auditoria and large outdoor free concerts. Its newly minted slogan, “Classical unlimited” perfectly defines the identity the festival has forged over the past few years: with its many commissions of new works from Canadian composers (operas, concertos, chamber music), its grand symphonic rock concerts, its eco-responsible policy, its involvement in digital art, its digitalized scenery, its original programming and its international alliances, Festival Classica embodies and represents the age we live…

Share:

A German-born baritone like Benjamin Appl is certainly no stranger to Schubert’s work. I can only assume that the Austrian composer’s impressive list of over 600 songs offer much to Appl’s repertoire, who himself is largely a Lieder singer. Accompanied by American pianist Eric Lu, Appl presented Schubert’s Schwanengesang—his ‘swan songs’—as well as Beethoven’s song collection, An die ferne Geliebte (To the Distant Beloved), at Montreal’s Bourgie Hall on Feb. 13.   What you missed Though one’s swan song is typically a final piece or performance before retirement or death, Schubert’s Schwanengesang is a collection of Lieder compiled and shared by…

Share:

Nothing is less hip than a strenuous attempt to be hip. This is how polite society would describe Paul Sellars’ take on Rameau’s Castor et Pollux (seen Feb. 7). I’ll leave it to your imagination how less charitable souls would describe it, or you might prefer to check your social media.  The story of Castor and Pollux is somewhat reminiscent of Orpheus and Eurydice but with fraternal love instead of marital love as the motivation. Castor and Pollux are twin half-brothers born to Leda. Castor was her son from Tyndareus, King of Sparta. Pollux, an immortal demi-god, was her son…

Share:

Premiered in Paris in 1797, Cherubini’s Médée was originally presented with a French libretto, based on Euripides’ play from Greek antiquity. It’s this version that is currently onstage at Paris’s Opéra Comique (seen Feb. 8). The opera was tepidly received at its premiere and mostly forgotten for over a century, until Maria Callas revived it in the 1950s with an Italian libretto conceived especially for her. The original French version is in the style of Gluck, the great reformer who believed opera should be a perfect blending of music and text. It is also an opéra comique in which spoken dialogue alternates with…

Share:

On Feb. 8, Vancouver Opera presented the local premiere of Jonathan Dove’s 1998 opera, Flight. This opera—inspired by the true story of an Iranian refugee stranded in Paris’ Charles de Gaulle Airport for 18 years—is an emotional rollercoaster ride from the comedic to the heart-wrenching. The production originated at Pacific Opera Victoria in early 2020, just before the pandemic shut down. Stage direction was entrusted there to veteran Canadian theatre legend Morris Panych who has revived his retro-1960s vision for Vancouver Opera.   At the start of the opera, Ken MacDonald’s set design looked quite simple with a tall control tower…

Share:

30 CONCERTS ANNOUNCED FOR THE 2025-26 SEASON Signature Fundraising Event Superstar soprano Renée Fleming presents Voice of Nature: the Anthropocene Recital featuring the Royal Conservatory Orchestra International Orchestra Series Iván Fischer and the Budapest Festival Orchestra play Mahler Symphony No. 3 TD Jazz Concerts Echoes of an Era featuring Lisa Fischer, Lenny White, Javon Jackson, and Patrice Rushen Arturo O’Farrill Afro-Latin Jazz Ensemble: Tribute to Dizzy Gillespie and Charlie Parker SuperBlue: Kurt Elling & Charlie Hunter Music Mix French pianist Sofiane Pamart, who performed at the Opening Ceremony of the 2024 Summer Olympics, known for playing in the French rap…

Share:

Montreal, Feb. 11 – The pleasurable urge to move to music — to groove — appears to be a physiological response independent of how much we generally enjoy music, according to a new paper led by Concordia researchers. That groove response is so strong it is even found in people with musical anhedonia, those who take little or no pleasure from music. The article’s lead author is Isaac Romkey, a PhD student in the Department of Psychology. He writes in the journal PLOS One that recent research shows the two aspects of groove, pleasure and urge to move, while usually closely correlated, may in fact be…

Share:
1 8 9 10 11 12 374