Given Solomea Krushelnytska’s exceptional career, it’s unfortunate that she is largely forgotten today. That is changing, thanks to a new biography written by Andriy Semotiuk, her grandnephew.
Luminous Voices is already on its fourth album in four years. The Calgary-based choral society has made contemporary music its specialty.
On his new album Touman, Dramane Konaté continues his travels through several West African musical traditions.
Infusion Baroque’s new project is fully in line with its mission, which it pursues with perseverance and imagination: to attract new audiences to early music by integrating chamber music with other artistic media.
This experience truly cannot be categorized—India Gailey suggests as much through the album title, Problematica, which is the scientific term for a species that eludes categorization.
Montreal-based electric bassist Marc Decho has been a sideman on many recordings over his career, but with his debut album AAAAUM, it’s his time to finally step into the spotlight.
Colette Maze, the oldest recording pianist in the world, released a final album before she died at the end of 2023. It offers a glimpse into what more than 100 years of practice and training sounds like.
Montreal double bassist Michel Donato is one of the last of his generation still standing and active on the scene.
Bradley Cooper’s Maestro lacks significant information about Leonard Bernstein’s life, his love of music, and what he contributed to the American cultural landscape.
Roger Waters is still kicking around in the hometown of his musical legacy with Dark Side of the Moon Redux, a 50th anniversary re-recording of Pink Floyd’s iconic album.
