Browsing: CD and Book Reviews

Jan Järvlepp: Concerto 2000 & Other Works Pascale Margely, flute. Janáček Philharmonic Orchestra/Stanislav Vavřínek;, Zagreb Festival Orchestra/Ivan Josip Skender; Moravian Philharmonic Orchestra/Petr Vronský Navona Records NV6291 ★★★★✩ Enfant terrible of the Canadian contemporary music scene, the Ontario composer Jan Järvlepp last year released Concerto 2000 & Other Works on the Navona label. Known to the general public for his audacious Garbage Concerto (1995), this composer delivers an impressive array of works that affirm the postmodern character of his approach by rejecting the dogmas of new music. Freed from these conceptual shackles, Järvlepp returns unabashedly to tonality and offers accessible…

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Schubert: Winterreise Joyce DiDonato, mezzo-soprano, Yannick Nézet-Séguin, piano Erato 190295284138 ★★★★★ Schubert’s late song cycle Winterreise (Winter’s Journey) is based on poems by Wilhelm Müller (1794-1827), one of the composer’s contemporaries. Like Schubert, he died young, at the age of only 32. The poems and the song cycle tell no story as such; they simply express the pain of unrequited love. While the composer intended the song cycle for a tenor voice, it has sometimes been performed by women. In fact, there are outstanding recordings by women of the stature of Lotte Lehmann, Brigitte Fassbaender, Christa Ludwig and our own…

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Matthew Larkin plays the organ of St. Paul’s Anglican Church Music by Couperin, Bach, Mendelssohn, Franck, Reger, Howells, Willan, Duruflé, Messiaen, MacMillan, Jongen, Jarrett, Ager and Mallory ATMA Classique ACD2 2857 (two CDs) ★★★★✩ This two-disc recital by the British-born Ottawa organist Matthew Larkin covers a vast stylistic territory but sits you squarely in the centre of a resonant Canadian church – St. Paul’s Anglican in Toronto, to be precise. Many Casavant instruments have a majestic sonority but Op. 550 of 1914, also called the Blackstock Memorial Organ, is particularly admired for its “scope and beauty,” to quote the title…

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Francisco Coll: Violin Concerto, Hidd’n Blue Op. 6, Mural, Four Iberian Miniatures Op. 20, Aqua Cinerea Op. 1 Patricia Kopatchinskaja, violin; Orchestre Philharmonique du Luxembourg/Gustavo Cimeno Pentatone PTC 5186951 ★★✩✩✩ Spanish composer Francisco Coll (1985-) is the only student to date of Thomas Adès. Coll has had some considerable success with his orchestral work Hidd’n Blue Op. 6. Violinist Patricia Kopatchinskaja and conductor Gustavo Cimeno have been actively championing his music, and both will appear with the Toronto Symphony next April for two performances of Coll’s Violin Concerto. Cimeno was appointed music director of the TSO last year but so…

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Soleil noir. Arias written by and for Francesco Rasi Emiliano Gonzalez Toro, tenor; I Gemelli Naïve V 5473 ★★★★✩ Francesco Rasi (1574-1620) is generally characterized as a tenor of the Florentine school who dabbled with some success in composition and poetry, created the title role of Monteverdi’s Orfeo and beat a murder rap thanks to the protection of the Gonzaga family – a troubling biographical detail that links him to another killer, Carlo Gesulado, in whose service Rasi might actually have done some singing. In this recital Emiliano Gonzalez Toro, a Swiss tenor of Chilean descent, combines some melancholy and…

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Brahms: Piano Sonatas Op. 1 and Op. 2; Rhapsodies Op. 79 Garrick Ohlsson, piano. Hyperion CDA68344 ★★★★✩ Most of Brahms’s published output is familiar through repeated performance. Oddly, his first two Piano Sonatas – Op. 1 in C Major and Op. 2 in F Sharp Minor – are generally ignored, though their only crime as evidenced by this valuable recording is a failure to rise quite to the level of the altogether admirable Sonata Op. 5 in F Minor. The veteran American virtuoso Garrick Ohlsson renders both the heroic first movement of Op. 1 (where the influence of Beethoven’s “Hammerklavier”…

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Composer of Albertine en cinq temps – L’opéra, Catherine Major is first and foremost a singer and pianist in Quebec popular music. Her latest album, released at the start of the pandemic, is the fifth of her career, following Par-dessus bord (2004), Rose Sang (2008), Le Désert des solitudes (2011) and La Maison du monde (2015). As in her previous recordings, we find rich textures and an interest in orchestration, both of which add value to the songs. We also find very poetic lyrics, which the author co-wrote with Jeff Moran. And as one expects in poetry, the meaning of…

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Flûte passion: Mozart Nadia Labrie, flute; Antoine Bareil, violin; Isaac Chalk, viola; Benoit Loiselle, cello  Analekta AN 2 8925 ★★★★✩ For the third instalment of her Flûte Passion series, Nadia Labrie has chosen Mozart. With her fellow musicians, the flutist offers chamber music by this composer she is so fond of: four quartets, including the famous Quartet in D major K. 285, as well as the Andante in C major K. 315. We find typically Mozartian melodic lines, full of charm and insouciance. The music flows without interruption and the sounds of the instruments fit together perfectly. Labrie nicely captures…

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Tim Brady: Actions Speak Louder (3 CDs)  Act I: Solos and a Quartet Act II: v-Orchestra Act III: Voices  Various artists  Redshift records (2021) ★★★★✩ Tim Brady is an atypical electric guitar composer and performer. He seeks, in a way, to rehabilitate an instrument often confined to popular music, notably rock, and to make it a legitimate source of inspiration for so-called “serious” compositions. The COVID-19 pandemic has led him, like so many other musicians, to question his profession and his practices.  This process of reflection has given birth to a series of three albums grouped under the title Actions…

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Andrzej Pietrewicz, instrumentalist, composer; Laura and Caroline Joy Clarke, vocalists Self-produced EP ★★★✩✩ This EP brings together six exclusively instrumental pieces, excepting the last, which features female voices. The composer, Andrzej Pietrewicz, draws on various influences, from jazz to experimental music, including neo-classicism. In the third piece, Pietrewicz indulges in polyphony in the style of Baroque composers. The use of the flute from the very first piece creates a bright and playful tone. The sounds of cello, guitar and piano add to the mix. Despite the friction between instruments, softness predominates.

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