The Vancouver Symphony Orchestra brought Tinseltown glitz and glamour to the Orpheum stage this weekend with Hollywood Rocks, a carefully curated collection of iconic songs from your favourite movies and TV shows. The orchestra was led by Maestro Stuart Chafetz, with Broadway stars Julie Reiber and Bryce Ryness lending their incredible voices. From the moment Chafetz set foot on stage, the tone for the evening was set: lighthearted, energetic, and, above all else, fun. “Tonight’s show is guaranteed to bring back memories, put a smile on your face, and, hopefully, create some new memories” he prefaced, encouraging the audience to…
Browsing: Musical Theatre
November 19, 2024 -The Royal Conservatory of Music is thrilled to produce Into the Woods, its third Sondheim musical in concert, after the success of Follies in 2021 and A Little Night Music in 2023. This special 2024 holiday season production, suitable for the whole family, will run on December 28, 29, and 30 at 7pm, and 31 at 3pm. Richard Ouzounian, who has directed both Follies and A Little Night Music at The Royal Conservatory, said: “I am happy to be returning for the third time to Koerner Hall – my favourite venue – with a third work by Stephen Sondheim – my favourite composer. Into the Woods will provide a marvelous way for the whole family to round…
Many Canadian ensembles, from Club musical de Québec and Sinfonia Toronto to Vancouver Opera and Ensemble ArtChoral, are announcing their upcoming 2024-2025 seasons.
February Translated by François Archambault, the hit Ulster American is back and on tour. Maxime Denommée’s direction of this striking text is remarkable. La Licorne, Feb. 6-24 and on tour. www.theatrelalicorne.com Frédéric Bélanger returns to the world of Jules Vernes with Jules & Joséphine. Denise-Pelletier, Feb. 13-March 8. www.denise-pelletier.qc.ca Choreographer Rafael Palacios draws on the spirit of resilience of the Black communities of Colombia. Detrás del Sur: danzas para Manuel traces the African diaspora in the New World. He will also offer a dance workshop. Théâtre Maisonneuve, Feb. 21-24 and a workshop on Feb. 17. www.dansedanse.ca Performer-choreographer Angélica Liddell blends…
REVIEW: of the Glimmerglass 2023 Season, including: Roméo et Juliette, the 1867 opera composed by Charles Gounod, with a libretto by Jules Barbier and Michel Carré adapting Shakespeare; viewed August 4, 2023; Candide, with a musical score by Leonard Bernstein and book and lyrics by an assortment of heavy-hitters; viewed August 5, 2023; and Rinaldo, composed by George Frideric Handel, with a libretto by Giacomo Rossi; viewed August 6, 2023. Passing the Baton… The Glimmerglass Festival, with the arcadian charm of its lakeside setting and the surrounding splendor of its central New York “Leatherstocking Region” setting – not to mention…
Montreal September Persephone Productions presents Pool (No Water), by Mark Ravenhill. What does it mean to make art and what are we willing to sacrifice in the name of success? Sept. 3-15. www.segalcentre.org Presented in Cherokee, Muscogee and English, Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ brings together components and concerns that inform an interdisciplinary and counter-colonial approach to performance. Sept. 12-14. www.m-a-i.qc.ca In Just For Us, Alex Edelman decides to covertly attend a meeting of White Nationalists and comes face to face with the people behind the keyboards. A hair-raising encounter and hilarious anecdotes. Sept. 17. www.segalcentre.org In Cherry Docs, a Jewish…
REVIEW: Of Notes on Killing Seven Oversight, Management and Economic Stability Board Members, at New York City’s Soho Rep, 45 Walker Street; running through Sunday, June 19 (viewed here June 8). “The Great Wheel of Puerto Rican confusion spins on!” So declaims one of the characters in playwright Mara Vélez Meléndez’s capaciously titled new theater piece, Notes on Killing Seven Oversight, Management and Economic Stability Board Members, now playing at the Soho Rep. It’s a tag line that aptly summarizes the dizzying action and ambitious collision of themes that Meléndez sets in motion for this provocative hour-and-three-quarters of theatrical razzle…