Browsing: Dance

For multidisciplinary artist Mélanie Demers, anti-racism and feminism are basic principles; her creative work is a political gesture born of esthetic intuition. To better portray the notion of togetherness, for the past 10 years she has chosen inclusive casts, with a focus on women and artists from diverse backgrounds who were previously invisibilized. The choreographer and director now works with performers such as Stacey Désilier, Frannie Holder, Briana Lombardo, Chi Long, and Angélique Willkie. These heartfelt choices are in tune with what the audience wants to see and hear, and audience members appreciate such femininity on stage. Castings are not…

Share:

Tafelmusik puts on its party shoes when it presents Rameau and the Art of Dance this month (February). Internationally-acclaimed baroque violinist Robert Mealy, artistic director of The Juilliard School’s historical performance program, leads a program of French baroque suites spotlighting Rameau’s magnificent operas. The Berkeley, Calif.-born performer and teacher is director of the Boston Early Music Festival Orchestra, principal concertmaster for Trinity Wall Street’s baroque orchestra, as well as co-director of the chamber group Quicksilver. For its Rameau program, Tafelmusik musicians will be joined by 15 string and wind players from Juilliard415, the school’s principal period-instrument ensemble founded in 2009.…

Share:

Returning from a master class in Austria, Andrew Wells-Oberegger proposed the idea of a program of balfolk—Aufregend! Exaltant!—to Claire Gignac, artistic director of La Nef. It is inspired by traditional dances and music from Austria, France and Sweden that date back to the 18th and 19th centuries. Wells-Oberegger’s Déjouer le glas was nominated for concert of the year at the 29th Opus Awards Gala. For his La Nef show, he draws on the form and rhythm of period tunes, adding in contemporary accents to render them timeless. From his Austrian travels, Wells-Oberegger brought back a bock—or Bohemian bagpipe—and it is…

Share:

Paradisum is an unusual theatrical experience—a dark and brooding new circus show grounded in contemporary dance, with enough high-flying acts of derring-do to arouse the audience to frequent applause. That at least was the case in Vancouver when Hungary’s Recirquel premiered Bence Vági’s Paradisum in North America as part of the DanceHouse season, presented in partnership with the Cultch. Key to this brooding and also beautiful work is the mysteriously threatening setting—mountains and towers rise imposingly, then collapse and reform, or melt into thin air and reappear in new configurations. Once I became aware of the simplicity of the stagecraft,…

Share:

OTTAWA, Ontario—Her Excellency the Right Honourable Mary Simon, Governor General of Canada, has made 80 new appointments to the Order of Canada, including 6 Companions, 15 Officers and 59 Members. Six appointments are promotions within the Order, and another represents an honorary appointment. The Order of Canada is the cornerstone of the Canadian Honours System. Since its creation in 1967, more than 8250 people from all sectors of society have been appointed to the Order. The contributions of these trailblazers are varied, yet they have all enriched the lives of others and made a difference to this country. “The Order of…

Share:

EDMONTON, AB — Ballet Edmonton, the city’s creation-based contemporary ballet company invites audiences into a daring evening of movement and sonic imagination with THRESHOLD, running Friday, February 13 to Sunday, February 15, 2026 at the Triffo Theatre in Allard Hall, MacEwan University. THRESHOLD showcases two extraordinary international choreographers building new work on a Canadian company for the first time: Cyril Baldy and Marie Gyselbrecht. Each piece challenges both dancers and audiences, expanding definitions of physicality, presence, and what contemporary ballet and dance can be. Baldy and Gyselbrecht’s creations explore unexpected limits of the body, new textures of movement, and fresh…

Share:

National Ballet of Canada’s production of The Nutcracker celebrates its 30th anniversary this season. Set in late-Imperial Russia, it was created by choreographer and former NB artistic director James Kudelka in 1995. With sumptuous set and costume designs by Santo Loquasto and atmospheric lighting by Jennifer Tipton, this production is now the crown jewel in the company’s small repertoire of classic ballets. The sparkling snow scene that ends Act 1, followed by the rich ruby red and giant Fabergé egg-festooned Act 2 epitomize the very meaning of ballet in the popular imagination.  And it looks like the company has every…

Share:

PuSh International Performing Arts Festival is excited to announce the programming for the 2026 Festival, which returns to Vancouver from January 22 to February 8, 2026. For two and a half weeks, PuSh Festival invites audiences to discover innovative contemporary works of live performances by local, national and international artists.  PuSh has been the city’s midwinter anchor for more than two decades—a place where live arts are celebrated, where risk is rewarded, and where audiences engage with bold, audacious performances. The 2026 PuSh Festival will continue to defy the bounds of discipline, bringing together 25 presentations of theatre, dance, music, installation, film,…

Share:

Kathak & Ballet was a featured signature program this year at Toronto’s Fall For Dance North Festival held Oct. 15-26. It was co-curated by the festival’s artistic director and co-CEO, Robert Binet with one of Canada’s premiere Kathak dancers and choreographers, Tanveer Alam. As mentioned in Alam’s pre-show speech on Oct. 25, the program’s aim was to assert kathak’s rightful place alongside the country’s most heavily funded art form, ballet. An international cast of dancers highlighted the rigorous technical requirements and profound artistry of both dance traditions in a program of contrasts, and remarkable intersections. Alam opened with his own…

Share:

The National Ballet of Canada opened its 2025-26 season on Nov. 1 with the world premiere of Bobbi Jene Smith and Or Schraiber’s Procession. Former dancers with the renowned Batsheva Dance Company based in Tel Aviv, the choreographic pair—who are also a couple offstage—bring a practice steeped in collaboration to their first work for the company. The result is a jubilant, boldly-conceived and visually-striking piece that is perhaps the most successful new National Ballet commission in many a year.  The ballet is inspired by questions prompted by the idea of procession: “It’s travelling where? It’s going away from what? It…

Share:
1 2 3 4 13