L’Esprit des Six (Claves)


This page is also available in / Cette page est également disponible en: frFrancais (French)

  • Performance
  • User Ratings (0 Votes)

Your challenge for the weekend: name all six of Les Six.

  1. Poulenc and Milhaud? That’s average.
  2. Arthur Honegger? Good (unless you’re Swiss).
  3. Germaine Tailleferre? Very good.
  4. Georges Auric. Excellent.

So who have we forgotten?

(Louis Durey (1888-1979). Nobody remembers Durey.)

Les Six came to the fore in 1920s Paris as acolytes of the iconoclastic Erik Satie and briefly caught the spirit of the age before veering off in diverse directions. This ingenious album of clarinet-piano music from either end of their careers. Francis Poulenc, the most lyrical and the only one with a major opera to his credit, can be heard in sonatas from 1918, 1922 and 1962, the earliest having an absolute earworm of an Andante, the kind of music people hummed as they went off to found new colonies.

Darius Milhaud, who could write for any instrument at the drop of a hat, had reached opus 100 by his mid-thirties, a Sonatine with a delicious melting centre. Auric, who spent his life writing film scores, contributed a 1971 Imaginées for clarinet and piano. Tailleferre, who lived longest, wrote a 1973 Arabesque. Honegger is represented by a neat Sonatine of 1921-22. And Durey? There’s nothing here by Durey. There never is.

Davide Bandieri, principal clarinet of the Lausanne Chamber Orchestra, is the driving force here, with pianist Guillaume Hersperger panting to keep up. It’s a fun album that feels almost Twenties in its ésprit. Look up quick and you might see an ox on the roof.


Sign on to the blogfeed: www.slippedisc.com

Visit the website: www.normanlebrecht.com


This page is also available in / Cette page est également disponible en: frFrancais (French)


About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.